J.t. Ellison

The Best Of Loma Records: The Rise And Fall of A 1960's Soul Label is a 2CD compilation released by Warner Archives in 1995. It features 50 songs by a wide range of artists, including Lorraine Ellison, Ike & Tina Turner, Mary Lee Whitney, and Linda Jones.

UK three CD set. Halcyon Days charts the development of mod friendly beat music across three CDs from the jazzy R&B of Chris Farlowe, Duffy Power with Graham Bond and Zoot Money that opens disc one through horn laden Brit soul from Jimmy James, Geno Washington and The Richard Kent Style, ska from Mickey Finn & The Blue Men, girl group pop from The Chantelles and fuzz drenched freakbeat from The Pretty Things and The Worrying Kynde. Producer Mike Hurst opens his archives allowing us to include freakbeat nuggets from The Australian Playboys, The Human Instinct, The Favourite Sons, Double Feature and The Oscar Bicycle plus orchestrated pop gems from the soulful Truly Smith, psychedelic The Alan Bown!, Swedish mods The Tages and dramatic singing twins Paul & Barry Ryan. First time on CD rarities include British R&B, soul and mod beat tracks from The Athenians, The Fingers, The Candy Dates, Barney J. Barnes & The Intro, Kevin 'King' Lear, Dorian Gray, Barry St. John

Northern soul is a music and dance movement that emerged in Northern England and the English Midlands in the late 1960s from the British mod scene, based on a particular style of black American soul music, especially from the mid-1960s, with a heavy beat and fast tempo (100 bpm and above).

Part of Warner Bros. UK and Rhino's Original Album Series collection, this budget-priced set of Yvette Marie Stevens (Chaka Khan) jams features five complete albums, including Chaka (1978), Naughty (1980), What Cha' Gonna Do for Me (1981), Chaka Khan (1982), and I Feel for You (1984).

Thomas Jerome Moulton (/ˈmoʊltən/, MOHL-tən; born November 29, 1940)[1] is an American record producer. He experimented with remix in disco music and this led to its wide adoption as a standard practice in the industry. He also invented the breakdown section, and the 12-inch single vinyl format in the process.

Loma's releases met with mixed, but mainly poor results; the majority of Loma's output not even registering in the Billboard charts. Acknowledging this, and perhaps perceiving greater shifts in musical tastes, the label tried to broaden its appeal half way through its short life by releasing 45's aimed more squarely at a young, white audience and catering for the growing demand for beat group, garage, folk-rock and psychedelic sounds.