J.thornton

Willie Mae "Big Mama" Thornton helped lay the groundwork for rock & roll in 1953 with her raw electric blues single "Hound Dog" (later covered by Elvis Presley). The Way It Is finds Thornton performing at an L.A. rock club 16 years later, after the rock revolution she and her peers inspired had effectively usurped the blues as the music of the people. Yet at a time when everyone from Muddy Waters to Buddy Guy was making concessions to the rock market in an effort to stay contemporary, Thornton stuck to her guns. For this concert, she relies on the same gritty, old-school blues sound that made her famous…

Phil Thornton is now closely associated with the British New Age music movement, but he is also an accomplished guitarist and has had a long touring and recording association with Sinead O'Connor. He is a regular member of the neo-psychedelic English band Mandragon, and he has worked with Gordon Giltrap, Talking Heads, Stallion, Die Laughing, Naked Lunch, 4 B 2's, and Expandis. Thornton augments his musical talents as an accomplished studio producer..

Comping on guitar and piano, West Coast bluesman J.J. Malone displays his chops for traditional blues as well as more modern forms on his second album for Fedora. John Jacob (J.J.) Malone (August 20, 1935 – February 20, 2004) was an American West Coast blues, electric blues and soul blues guitarist, singer and keyboardist. His best-known recordings were "It's a Shame" and "Danger Zone". Malone was a member of the Rhythm Rockers, and he variously worked with other musicians, such as Troyce Key, Jill Baxter, Al Green, Joe Simon, Etta James, Scott McKenzie and Frankie Lee. Malone was born in Pete's Corner, Alabama. He sang in his local church and learned to play the harmonica, guitar and piano.

This is the second album of The Jamaica Boys - a Queens based funk trio. Although marketed in rap circles, The Jamaica Boys were really more of a fusion trio with composer/multi-instrumentalist Marcus Miller, drummer Lenny White, and singer Mark Stevens combining forces. They made pleasant music, and occasionally Miller would come up with an inspired riff. But the most distinctive thing about this album in retrospect was the fact that Stevens was Chaka Khan's brother.