Jan Augustus

JAN - Augustus 2024  Magazines

Posted by crazy-slim at July 11, 2024
JAN - Augustus 2024

JAN - Augustus 2024
Nederlands | 132 pages | PDF | 92.3 MB

JAN - Augustus 2024  Magazines

Posted by crazy-slim at July 11, 2024
JAN - Augustus 2024

JAN - Augustus 2024
Nederlands | 132 pages | PDF | 92.3 MB

JAN - Augustus 2024  Magazines

Posted by crazy-slim at July 11, 2024
JAN - Augustus 2024

JAN - Augustus 2024
Nederlands | 132 pages | PDF | 92.3 MB

JAN – augustus 2019  Magazines

Posted by Pulitzer at July 18, 2019
JAN – augustus 2019

JAN – augustus 2019
Dutch | 150 pages | PDF | 105.8 MB

JAN – augustus 2020  Magazines

Posted by Pulitzer at July 14, 2020
JAN – augustus 2020

JAN – augustus 2020
Nederlands | 127 pages | PDF | 84.2 MB

JAN – augustus 2023  Magazines

Posted by Pulitzer at July 11, 2023
JAN – augustus 2023

JAN – augustus 2023
Nederlands | 132 pages | PDF | 96.6 MB

JAN – augustus 2021  Magazines

Posted by Pulitzer at July 15, 2021
JAN – augustus 2021

JAN – augustus 2021
Nederlands | 150 pages | PDF | 102.7 MB

JAN – augustus 2022  Magazines

Posted by Pulitzer at July 12, 2022
JAN – augustus 2022

JAN – augustus 2022
Nederlands | 148 pages | PDF | 113.1 MB

JAN Specials – augustus 2019  Magazines

Posted by Pulitzer at Aug. 22, 2019
JAN Specials – augustus 2019

JAN Specials – augustus 2019
Nederlands | 150 pages | PDF | 98.8 MB
Václav Luks, Collegium 1704 - Jan Dismas Zelenka: Officium defunctorum ZWV 47, Requiem in D ZWV 46 (2011)

Václav Luks, Collegium 1704 - Jan Dismas Zelenka: Officium defunctorum ZWV 47, Requiem in D ZWV 46 (2011)
EAC | FLAC | Image (Cue & Log) ~ 530 Mb | Total time: 61:26+40:04 | Scans included
Classical | Label: Accent | # ACC 24244 | Recorded: 2010

Jan Dismas Zelenka (1679-1745) Officium defunctorum ZWV 47 – Requiem in D ZWV 46 (Music for the funeral rites of Augustus the Strong) Jan Dismas Zelenka’s music for the funeral rites of Augustus the Strong – Officium defunctorum ZWV 47 (Invitatorium, Nocturno I-III) and Requiem ZWV 46 – reveals the most impressive face of the Baroque theatre of death. The man in the chief role of this spectacle follows the appeal in the 95th psalm of the introductory antiphon of the invitatorium “the King, in whom everything lives, let us worship Him”, and bows his head before God and the majesty of death.