One of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing, that at once compiled all of the innovations from his past, spoke to the current of deep spirituality that liberated him from addictions to drugs and alcohol, and glimpsed at the future innovations of his final two and a half years. Recorded over two days in December 1964, Trane's classic quartet–Elvin Jones, McCoy Tyner, and Jimmy Garrison– stepped into the studio and created one of the most the most thought-provoking, concise, and technically pleasing albums of their bountiful relationship. From the undulatory (and classic) bassline at the intro to the last breathy notes, Trane is at the peak of his logical and emotionally varied soloing, while the rest of the group is completely atttuned to his spiritual vibe.
"The album marks a couple of lasts in Coltrane's career. It's the last time he used the soprano on a studio recording, allegedly; and with 'The Last Blues' is the last time he recorded… well, a blues."
dailyjazz
Released in 2008 as a strong jazz entry in the affordable Starbucks/Rhino Special Products Opus Collection series, "A Man Called Trane" is a worthwhile and accessible introduction to the powerfully moving music of saxophonist John Coltrane. Drawing upon the Blue Note, Atlantic, and Impulse catalogs, this ten-track sampler spans a timeline from September 1957 to December 1964, revisiting his live performances at the Village Vanguard and the Newport Jazz Festival, dipping into the albums Blue Train, Coltrane's Sound, Giant Steps, Coltrane Plays the Blues, and My Favorite Things, and reaching a logical conclusion with the profoundly beautiful opening movement of his extended prayer and magnum opus "A Love Supreme." ~ AllMusic
The House That Trane Built: The Story of Impulse Records is a four-disc set, compiled and annotated by author Ashley Kahn who wrote the book of the same name being published concurrently with its release. Impulse's great run was between 1961 and 1976 – a period of 15 years that ushered in more changes in jazz than at any other point in the music's history. Impulse began recording in the last weeks of 1960, with Ray Charles, Kai Windig /J.J. Johnson, and Gil Evans. While Impulse experimented with 45s 33 1/3 EPs, cassettes, and reel to reel tapes later in its existence, it was–and this set focuses on– it was the music on its LPs (with distinct orange and black packaging in gatefold sleeves containing copious notes) that helped to set them apart.
The House That Trane Built: The Story of Impulse Records is a four-disc set, compiled and annotated by author Ashley Kahn who wrote the book of the same name being published concurrently with its release. Impulse's great run was between 1961 and 1976 – a period of 15 years that ushered in more changes in jazz than at any other point in the music's history. Impulse began recording in the last weeks of 1960, with Ray Charles, Kai Windig /J.J. Johnson, and Gil Evans. While Impulse experimented with 45s 33 1/3 EPs, cassettes, and reel to reel tapes later in its existence, it was–and this set focuses on– it was the music on its LPs (with distinct orange and black packaging in gatefold sleeves containing copious notes) that helped to set them apart.
This release contains McCoy Tyner’s first two albums as a leader, Inception (Impulse AS-18) and Reaching Fourth (Impulse AS-33) in their entirety. Both LPs present the pianist in a trio format backed by such expert musicians as bassists Art Davis and Henry Grimes, and drummers Elvin Jones and Roy Haynes. McCoy's lush, rippling piano helped make masterpieces out of several 1960-65 John Coltrane albums. During that time, he established himself as a leader with his magnificent Impulse! LPs Inception ('62) and Reaching Fourth ('63); his trio dazzles on the two Tyner-penned title tracks plus Theme for Ernie; Old Devil Moon; Blues for Gwen; Sunset; Effendi , and more!
This remastered two-fer combines Alice Coltrane's 1969 release Huntington Ashram Monastery with World Galaxy from 1972. Originally, these LPs were released separately on Impulse. Both sets are spiritual in nature, with the first three cuts on H.A.M. combining the majestically meditative harp of Coltrane with Ron Carter on bass and Rashied Ali on drums and percussion.