Given the cold shoulder Madonna's 2003 album American Life received by critics and audiences alike – it may have gone platinum, but apart from the Bond theme “Die Another Day,” released in advance of the album, it generated no new Top Ten singles (in fact, its title track barely cracked the Top 40) – it's hard not to read its 2005 follow-up, Confessions on a Dance Floor, as a back-to-basics move of sorts: after a stumble, she's returning to her roots, namely the discos and clubs where she launched her career in the early '80s…
Given the cold shoulder Madonna's 2003 album American Life received by critics and audiences alike – it may have gone platinum, but apart from the Bond theme “Die Another Day,” released in advance of the album, it generated no new Top Ten singles (in fact, its title track barely cracked the Top 40) – it's hard not to read its 2005 follow-up, Confessions on a Dance Floor, as a back-to-basics move of sorts: after a stumble, she's returning to her roots, namely the discos and clubs where she launched her career in the early '80s. It's not just that she's returning to dance music – in a way, she's been making hardcore dance albums ever since 1998's Ray of Light, her first full-on flirtation with electronica – but that she's revamping and updating disco on Confessions instead of pursuing a bolder direction.
The Staff Band of the Norwegian Armed Forces is one of the Norwegian armed forces’ five professional music ensembles, and since its formation in 1818 has been the country’s largest professional wind band. Based in Oslo, it is the armed forces’ most important band for providing musical support at ceremonial functions, and it plays regularly on royal and official government occasions and on behalf of the armed forces – as well as at a host of other ceremonial and representative functions at home and abroad. The band also has an extensive concert schedule in and around Oslo. Most of its concerts are given in its own concert hall, “Ridehuset”, in Akershus Fortress, but it also gives numerous outdoor concerts and regularly plays on tours around Norway.
Arriving just weeks after Jennifer Lopez announced her departure from American Idol, the compilation Dance Again…The Hits was in the works before J-Lo joined AmIdol – she departed Epic for Island/Def Jam after 2007's Brave yet owed her old label a hits collection – but undoubtedly Lopez's two years on the singing competition boosted her profile and popularity, elevating Dance Again to something more than contract fulfillment. That much is evident from the two new recordings, "Dance Again" and "Goin' In," tracks that feature Pitbull and Flo Rida, respectively, cuts designed for the dancefloors of 2012 just as the two post-Idol hits from 2011's Love? – "I'm into You" and "On the Floor" – were. These hard, cold constructions feel especially steely when paired with the fizzy, glitzy turn-of-the-millennium hits that turned Lopez into a pop star.
In 2002 the Transatlantic Radio label fortified their catalog with a 26-track anthology of historic sides by the Jean Goldkette Orchestra. Victor Recordings 1924-1928 neatly samples some of the group's best works by beginning in March 1924, a good nine months before Bix Beiderbecke first sat in, and ending in December 1928, more than a year after Bix had joined the ranks of Paul Whiteman's Orchestra, along with some of Goldkette's most capable players. During the mid-‘20s the Goldkette band played its best music in front of live audiences, using arrangements by Bill Challis. Studio recordings captured some of the magic in the form of sweet and hot dance music punctuated by period pop vocals. Rather than packing in a lot of alternate takes (which may be found on other equally fine collections), the folks at Transatlantic chose to lay out a sensible selection that accurately embodies what the Goldkette band was all about.
NOW That’s What I Call Party 2019 includes two discs of all the latest hits, guaranteed to get the party started. Justin Timberlake, Lady Gaga, Dua Lipa, Blak Eyed Peas, Kesha and many others