After nearly forty years of musical and personal camaraderie, drummer and producer Bob Christina began studio work with Matt "Guitar" Murphy on what would become Murphy's final project. After he passed in June of 2018, the fate of the unfinished project was placed in Christina's hands. He began outreach to musicians who were friends of Murphy, played with him, or were otherwise influenced by him. The response was overwhelming.
After nearly forty years of musical and personal camaraderie, drummer and producer Bob Christina began studio work with Matt "Guitar" Murphy on what would become Murphy's final project. After he passed in June of 2018, the fate of the unfinished project was placed in Christina's hands. He began outreach to musicians who were friends of Murphy, played with him, or were otherwise influenced by him. The response was overwhelming.
After nearly forty years of musical and personal camaraderie, drummer and producer Bob Christina began studio work with Matt "Guitar" Murphy on what would become Murphy's final project. After he passed in June of 2018, the fate of the unfinished project was placed in Christina's hands. He began outreach to musicians who were friends of Murphy, played with him, or were otherwise influenced by him. The response was overwhelming.
This is a specially priced, two-CDs-for-the-price-of-one photo-cube set, loaded with great stuff from Charlie Musselwhite, Koko Taylor, Lonnie Brooks, Johnny Winter, Billy Boy Arnold, Lonnie Mack, and a host of others who have trotted their wares on the label over the years. Besides giving the novice one great introduction to the label (as the music runs from traditional to modern), the big bonus here is a treasure trove of previously unissued tracks from Roy Buchanan (a chaotic version of Link Wray's "Jack the Ripper"); Floyd Dixon (a recut of his Blues Brothers-approved hit "Hey Bartender"); Albert Collins and Johnny Copeland in a marvelous outtake from the Showdown! album ("Something to Remember You By"); and the band that started it all, Hound Dog Taylor & the Houserockers, with a crazed version of Elmore James' "Look on Yonder's Wall," as sloppy as it is cool. Very good stuff.
We all know that Eric Clapton is one of the greatest guitarists of all time. What is not that well known, is that he has collaborated with artists such as blues legend Pinetop Perkins, Jamaican guitarist Arthur Louis or trombonist Chris Barber (an institution within British music). Moreover, few probably have heard the versions of his songs by Koko Taylor and Ann Peebles, and we’re pretty sure that almost no one has delved into the obscure blues records that have influenced Clapton early in his career. This is The Many Faces Of Eric Clapton, a deep look into the intimate world of one of the best British artists ever. A different kind of album, to collect… and that it won’t be available on streaming services!
This is a specially priced, two-CDs-for-the-price-of-one photo-cube set, loaded with great stuff from Charlie Musselwhite, Koko Taylor, Lonnie Brooks, Johnny Winter, Billy Boy Arnold, Lonnie Mack, and a host of others who have trotted their wares on the label over the years. Besides giving the novice one great introduction to the label (as the music runs from traditional to modern), the big bonus here is a treasure trove of previously unissued tracks from Roy Buchanan (a chaotic version of Link Wray's "Jack the Ripper"); Floyd Dixon (a recut of his Blues Brothers-approved hit "Hey Bartender"); Albert Collins and Johnny Copeland in a marvelous outtake from the Showdown! album ("Something to Remember You By"); and the band that started it all, Hound Dog Taylor & the Houserockers, with a crazed version of Elmore James' "Look on Yonder's Wall," as sloppy as it is cool.
Alligator has a justifiable reputation as one of the premier blues labels, and it draws on its recorded resources for this compilation. There's certainly no doubting the quality of the players and the music here, from Johnny Winter to the late Hound Dog Taylor, whose raw style sears the ears on Elmore James' "The Sun Is Shining." An older Corey Harris track reminds people that he's a remarkable acoustic slide player, and Sonny Landreth's "Taylor's Rock," from a Hound Dog Taylor tribute, features him playing no less than four parts, and still injecting plenty of grease. Australian Dave Hole remains a bit of a secret, but on the basis of this, deserves wider exposure…