3CDs, 75 songs, and a set list that definitely lives up to the title – a collection that not only brings forth the best of Northern Soul from the glory days of the 60s, but also features lots of tracks from that time that have only been discovered in recent years too! Northern Soul isn't just a static concept on UK dancefloors – and instead has been driven by decades of record collectors and DJs with an ever-shifting ear for a groove – one that's lead to a nicely expansive version of the music that's really continued to thrill us with collections like this.
An amazingly rich cross-section of the reggae world pays homage to the great Bob Marley in this essential triple-CD collection. With a total of 50 tracks featuring an eclectic mix of artists like Ruddy Thomas, the Maroons, Sly & Robbie, Johnny Clarke, Inner Circle, John Holt, Horace Andy, Max Romeo, Byron Lee & the Dragonaires, and Dennis Brown, TROJAN BOB MARLEY COVERS BOX SET is a must for any reggae fan, and a testament to Marley's vast influence and crossover appeal within the reggae community and beyond.
The first of what's promised to be many trips into Huey P. Meaux's deep vaults, Ace's 2013 compilation South Texas Rhythm 'N' Soul Revue is an unfettered delight, collecting 24 sides released on the Jet Stream, Tear Drop, Eric, Cascade, Pacemaker, Boogaloo, and Trinity imprints between 1962 and 1973, adding three previously unissued numbers for good measure. Hits aren't the name of the game here, nor are there too many household names: Big Walter Price (not Big Walter Horton), Johnny Adams, Johnny Copeland, and Barbara Lynn (the latter represented with a demo of "You'll Lose a Good Thing") are the names that could possibly spark recognition, but even these are better-known by aficionados, not trainspotters.
George Goldner Presents The Gone Story: Doo-Wop to Soul 1957-1963 contains 65 songs representing a dead-perfect cross-section of the singles output of one of New York's great R&B labels of the late 1950s and early 1960s. The opening cut, the Dubs' slow, romantic "Don't Ask Me (To Be Lonely)," shows just how far George Goldner's conception of rhythm & blues had come in the four years since he'd founded Rama Records in 1953. Gone Records, starting in 1957, featured a more sophisticated output, oriented toward elegant, impassioned ballads rather than the dance numbers that had gone over so big in the mid-'50s.