Pianist/composer Jacques Loussier demonstrated musical ability at an early age, starting to play at the age of ten and entering the Conservatoire National de Musique in Paris at 16. Loussier's main professor there was Yves Nat, who in turn was encouraged by Faure, Saint-Saens, and Debussy as a student himself…
Pianist/composer Jacques Loussier demonstrated musical ability at an early age, starting to play at the age of ten and entering the Conservatoire National de Musique in Paris at 16. Loussier's main professor there was Yves Nat, who in turn was encouraged by Faure, Saint-Saens, and Debussy as a student himself…
Pianist/composer Jacques Loussier demonstrated musical ability at an early age, starting to play at the age of ten and entering the Conservatoire National de Musique in Paris at 16. Loussier's main professor there was Yves Nat, who in turn was encouraged by Faure, Saint-Saens, and Debussy as a student himself…
Avid Jazz here presents four classic Jacques Loussier albums, including original LP liner notes on a finely re-mastered double CD. “Plays Bach Volumes 1, 2 & 3”; “Jacques Loussier Joue Kurt Weill”.
Following in the footsteps of the renowned guitarist Django Reinhardt who had experimented with putting the swing into classical music before the war, here we present the French pianist and arranger Jacques Loussier with three volumes of his celebrated series, “Play Bach”. Accompanied as ever by Christian Garros on drums and Pierre Michelot on bass, Loussier shows us just how suited to the jazz idiom the music of the great classical composer was! Alongside the three “Play Bach” volumes we present the hard to find album “Jacques Loussier joue Kurt Weill” an album only released in France and up to now unavailable on CD! All four albums have been digitally re-mastered.
Pianist/composer Jacques Loussier demonstrated musical ability at an early age, starting to play at the age of ten and entering the Conservatoire National de Musique in Paris at 16. Loussier's main professor there was Yves Nat, who in turn was encouraged by Faure, Saint-Saens, and Debussy as a student himself. Loussier continued this distinguished tradition, graduating at the top of his class…
Playing the music of Bach in a jazz style seems like heresy to some, like mere silliness to others, and like gimmickry to many more. But for half a century now Jacques Loussier has been making a strong argument in favor of the practice, and although this anniversary recording has something of a valedictory flavor to it, it's hard to imagine that the 75-year-old pianist doesn't intend to keep doing so for as long as he can lift his hands to the keyboard…
Pianist/composer Jacques Loussier demonstrated musical ability at an early age, starting to play at the age of ten and entering the Conservatoire National de Musique in Paris at 16. Loussier's main professor there was Yves Nat, who in turn was encouraged by Faure, Saint-Saens, and Debussy as a student himself. Loussier continued this distinguished tradition, graduating at the top of his class…
Although pianist/composer Jacques Loussier is best known for his groundbreaking J.S. Bach albums, his ability to reinvent the work of other composers is equally amazing. Ravel’s Boléro covers two very different aspects of impressionism: a new interpretation of "Boléro" by Maurice Ravel (1875-1937) and seven short compositions by Loussier that were inspired by Claude Monet’s paintings of waterlilies or "Nymphéas." While his emotions are wrapped up in the music and time of Ravel, it is Loussier’s resourceful ability to dance between the borders of jazz and classical music that is most likely to give his latest Telarc release its enduring appeal.
Bach is arguably the greatest composer to have ever lived. He is also arguably the least accessible to those who don't enjoy classical music. His music is very structured and self contained. His music is difficult to phrase and play. His music was considered passé by his death. Bach owes his current popularity in part to composers from more then a century ago who succeeded in a revival of early music in the 19th century…
Released in 2003, Allegretto from Symphony No. 7, Theme and Variations features pianist Loussier in a trifecta alongside bassist Ben Dunoyer de Segonzac and drummer André Arpino interpreting ten variations on the Allegretto portion of Ludwig van Beethoven's Symphony No. 7. For those unfamiliar, the term Allegretto (translated as "rather fast") refers to the composition's tempo, encompassing a speed of less than 120 but exceeding 108 measures per minute. As he had done in prior outings that incorporated the respective works of Bach, Debussy, and Handel, among others, Loussier approaches the composition with an ear toward the third stream, blending classical pieces to a decidedly jazz orientation.