We are pleased to announce "Charles Mingus - The Jazz Workshop Concerts 1964-65 (Town Hall, Amsterdam, Monterey '64, Monterey '65 & Minneapolis)." It chronicles the essential live performances of this genius of modern music as his compositions achieved a depth and complexity we would come to know as Mingus's most signature work. It includes (on the earlier recordings) the brilliant Eric Dolphy, along with Jaki Byard, Dannie Richmond, Johnny Coles, and Clifford Jordan – certainly one of the best assemblages of musicians ever. And the music, recorded across the world's concert stages and intended for release by Charles Mingus Enterprises, dashes once and for all every previously-held notion about what is, and isn't, jazz.
Berlin's 1965 Jazz Piano Workshop reunited some of the instrument's finest exponents from the full stylistic spectrum of jazz piano.
ARTISTS
For this 1969 release, saxophonist Eric Kloss, exclusively on alto for the date, is joined by tenor veteran Booker Ervin, allowing the 20-year-old Kloss to demonstrate he can readily go toe to toe with the Texan's big, blustery sound, as well as work in a more impressionistic vein. The rhythm section of drummer Alan Dawson and bassist Richard Davis is effective, although Davis is not quite up to his customary brilliance.
Recorded in 1964 immediately after leaving the Miles Davis Quintet, Sam Rivers' Fuchsia Swing Song is one of the more auspicious debuts the label released in the mid-'60s. Rivers was a seasoned session player (his excellent work on Larry Young's Into Somethin' is a case in point) and a former member of Herb Pomeroy's Big Band before he went out with Davis. By the time of his debut, Rivers had been deep under the influence of Coltrane and Coleman, but wasn't willing to give up the blues just yet. Hence the sound on Fuchsia Swing Song is one of an artist who is at once very self-assured, and in transition.
Of all the titles in the Impulse! 2 on 1 series, this volume may be the very finest. It pairs two indisputable classic Charles Mingus titles – both of which have endured for nearly 50 years – that were cut during the same year. While The Black Saint and the Sinner Lady was recorded on January 20, 1963, the recording that ended up as Mingus Mingus Mingus Mingus was begun that very day, but not finished until September. The former album is rightly regarded as one of (if not the) Mingus' masterpieces for its use of colors, tonalities, expansive harmonies, and the juxtaposition of numerous aspects of the jazz tradition – from Ellingtonian swing to hard bop, to West Coast and new-thing jazz – employing a vocal chorus, and even Latin and flamenco flourishes in a single conceptual work played by an 11-piece orchestra.
This CD reissue has four selections from the same sessions (but not released on the original sets) that resulted in The Freedom Book, The Blues Book and The Space Book. "Groovin' High" features the intense tenor of Booker Ervin playing comparatively lighthearted bebop in a quintet with trumpeter Carmell Jones, pianist Gildo Mahones, bassist Richard Davis and drummer Alan Dawson. The other numbers ("The Second #2," "Bass-IX" and a brief "Stella By Starlight") match Ervin with the unbeatable trio of pianist Jaki Byard, Davis and Dawson. Although these performances are not quite classic, Booker Ervin fans will want this CD to round out their collection, for Ervin was at the peak of his powers during this era.
After the death of Nino Rota in 1979 the record producer Hal Willner released this album dedicated to him on his work with Fellini. It's a short but fruitful exploration of his music, but not collecting original works, but played by a handful of notable musicians and jazz groups such as the pianist 'Jaki Byard' (dead in 1999), guitarist Bill Frisell, vibraphonist Dave Samuels, saxophonist Steve Lacy and others as Sharon Freeman, Deborah Harry, Wynton Marsalis and Kenny Barron, integrated in groups like David Amtam Quintet or a sextet with William Fischer.