Jam Sessions

Various Artists - The Complete Norman Granz Jam Sessions (2004) {5CD Box Set Verve B0003252-02 QS01 rec 1952-1954}
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© 1952-54, 2004 Verve / Universal | B0003252-02 QS01
Jazz / Bop / Bebop / Standards

The historic Norman Granz Jam Sessions, recorded between 1952-1954 for Clef and Mercury, are among the most treasured jam sets of all time. The nine separate albums featured the crème de la crème of New York's jazz community from Charlie Parker to Roy Eldridge, Ben Webster, Johnny Hodges, Oscar Peterson, Lionel Hampton and Max Roach and dozens of others. This box set simply collects all nine LPs on five remastered CDs, containing original artwork in a slipcase that fits inside a handsome metal display box. The individual volumes are of consistently very high quality and are utterly indispensable to jazz aficionados. For those who already have the discs, this is merely superfluous. For those who don't, this is a pricey buy but a hell of a way to begin a jazz education.

Various Artists - The Complete Cuban Jam Sessions (2018) {5CD Set Craft Recordings CR00100 rec 1956-1965}
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© 1956-65, 2018 Panart / Craft Recordings / Concord Music | CR00100
Jazz / Latin Jazz / Cuban / Charanga / Salsa / Cha-Cha / Descarga / Mambo

Five legendary Cuban jam sessions originally released over a span of almost a decade (1956-1965) by Cuba's first independent record label Panart. Reissued together as a set in their entirety and original format here for the first time, The Complete Cuban Jam Sessions albums encapsulate a stylistic and historic panorama of Cuban music, from big band son montuno to Afro-Cuban rumba, mambo, cha-cha-cha and country acoustic guajira music.

JATP concerts from the 1940s were documented in 1998 on a 10-CD Verve boxed set. But until now, the 1950s concerts have been passed over for a retrospective. In fact, since the CD era began very little of the material from that span has been available at all.

The groove is loose and deep on these studio sessions recorded as backing music for the original Bill Cosby Show sitcom in 1969. Despite the title, Bill Cosby appears on only one track here, the vocal version of "Hikky-Burr," where he improvised his entire part. Quincy Jones directed these sessions with bassist Ray Brown acting as bandleader on all but one cut (the Cosby selection). Other players came from a revolving cast that included Joe Sample on Fender Rhodes; pianists Les McCann, Clare Fischer, and Monty Alexander; drummers Paul Humphries and John Guerin; bassist Carol Kaye; guitarist Arthur Adams; vibists Milt Jackson and Victor Feldman; saxophonists Eddie Harris, Ernie Watts, and Tom Scott; and assorted others.

Green Bullfrog were a group that only existed on paper, and scarcely officially in that medium, either, because of all the hairs that had to be split (and names unnamed) in existing contracts to get their record made. Ritchie Blackmore, Tony Ashton, Big Jim Sullivan, Albert Lee, Chas Hodges, Matthew Fisher, and Ian Paice are just some of the luminaries who showed up for the super session, which was recorded in the first half of 1970 and issued on LP in America in 1971, a year earlier than it was in Europe. With the identities of the bandmembers effectively hidden behind pseudonyms, it's not entirely surprising that the album never rose beyond cult status on either side of the Atlantic. The whole project was the brainchild of producer Derek Lawrence, who roped these former members of his stable into doing him the favor.