James Beckwith Se10

Esoteric Recordings are pleased to announce the release of a new re-mastered and expanded edition of the legendary self-titled debut album by Barclay James Harvest. Produced by Norman Smith (also famed for his work with Pink Floyd and the Pretty Things), Barclay James Harvest was dominated by the twelve minute epic Dark Now My Sky and also featured such wonderful material as The Iron Maiden, Mother Dear, When the World Was Woken and the fine rock tracks Taking Some Time On and Good Love Child. The album established Barclay James Harvest as a unique group and paved the way for a remarkable career and a catalogue of music that continues to endure. This deluxe edition features a new remaster of the original album, along with stunning new stereo and multichannel mix.

SOMM Recordings announces the third and final volume of the enthusiastically received One Hundred Years of British Song, with tenor James Gilchrist and pianist Nathan Williamson. Focusing on songs written since 1950, Volume 3 celebrates what Williamson’s booklet note describes as “astonishment at the depth of expressivity of the poetry and music”.

"José James: New York 2020" is the first live album from an artist with a decade long career built on his electric live show.

As the title suggests, this is the definitive edition of Etta James' Tell Mama long-player. For this single-disc release the original album is augmented with five previously unissued tracks – documented during James' four Muscle Shoals sessions circa '67-'68. The question of why a rural Alabama town became a conduit for some of the most memorable and instantly identifiable grooves may still be up for debate. The evidence exists in droves and Tell Mama could certainly be considered exhibit A. These sessions feature the same impact that would redirect several first ladies of soul. Notable among them are Dusty Springfield's Dusty in Memphis, Aretha Franklin's I Never Loved a Man (The Way I Love You) and to somewhat lesser acclaim, Jackie DeShannon's Jackie. Tell Mama showcases some of the unique and admittedly darker qualities of what might best be described as R&B noir. "I'd Rather Go Blind," "Steal Away," "I'm Gonna Take What He's Got" all exemplify the essence of the blues – making the best of a bad situation. The flipside of the sombre subject matter is the satisfying conviction in the music – which is where the remastering becomes particularly noticeable. No longer does the brass section sound alternately muffled or harsh as it has on previous releases. Likewise, the churning Hammond B-3 organ swells with rich textures. Perhaps the most sonically evident improvements are the subtle ones, such as the supple fretwork on "Sweet Dreams," "I'd Rather Go Blind," and the jazzy percussive shuffle of "The Same Rope."

All the Light We Cannot See is an upcoming American drama limited series directed by Shawn Levy and developed by Steven Knight for Netflix. Based on Anthony Doerr's Pulitzer Prize winning novel of the same name, it stars Aria Mia Loberti, Mark Ruffalo and Hugh Laurie. The four-part series follows the stories of a blind French girl named Marie-Laure and a German soldier named Werner, whose paths cross in occupied France during World War II.

The blockbuster film franchise 'The Hunger Games' is revived with a new film coming out worldwide in November 2023. The music from the previous films went viral, especially with 'The Hanging Tree' sung by Jennifer Lawrence and composed by James Newton Howard. Howard makes his return to the franchise after scoring the original four films. Featured throughout the album's 40 tracks is global superstar pianist Yuja Wang. The CD features the full score soundtrack, 37 orchestral tracks by James Newton Howard and 3 piano solo tracks by Yuja Wang composed by Howard on two CDs in a brilliant box.

Gavin James Already on his way to becoming one of 2015’s international crossover-stories, Gavin James is a 22-year-old artist who grew up in a Dublin suburb. The son of a postman, music was arguably in Gavin’s blood: his maternal great-grandparents were both famous Irish Opera singers. James began playing guitar at age eight. After years of playing Jimi Hendrix and Led Zeppelin covers in the garden shed, he joined a band while in his teens and, upon drawing the short straw, was drafted as its singer.

Temptation, prohibition, good, evil… ‘how relevant are these in today's world?’ asks Benjamin Appl. With the complicity of pianist James Baillieu, we are taken on a musical arc from simple folk songs through to the great song composers such as Schubert, Schumann and Wolf, along the way visiting the French masters Debussy and Poulenc, exploring ‘new objectivity’ with Weill and Eisler and enjoying compositions by Casucci, Heggie and others.

Loraine James sinks her teeth into Julius Eastman's hallowed, elusive canon on "Building Something Beautiful For Me", responding to works like 'Crazy N*****' and 'Femenine' with her usual sublimation of horizontal textures and sandblasted sci-fi beats.