This premiere recording by the Pavel Haas Quartet has quite a bit going for it. For starters, the programming is intelligent – something that's always appreciated. Here are two string quartets written by teacher (Janácek) and student (Haas); in fact, both works were given their premiere by the same ensemble (the Moravian Quartet). The liner notes do a nice job of pointing out these and other connections as well as describing the programmatic content of the two works. The ensemble is filled with youthful energy and passion, which is reflected in the music.
The most popular Dvořák’s chamber repertoire performed by one of the world’s most exciting string quartets..
The Pavel Haas Quartet, one of the very finest chamber ensembles of the present time, earned for their first two CDs (Janáček, Pavel Haas) numerous prestigious accolades (Classic FM Gramophone Award, BBC Music Magazine Award, Cannes MIDEM Classical Award, etc.). With the Prokofiev pieces featured on this album the Quartet has for the first time entered the field of the Russian (or, if you will, international) repertoire.
What an outstanding release! Pavel Haas was one of the many Czech/Jewish composers interned by the Nazis at the Terezin concentration camp before being sent to the gas chambers at Auschwitz. His three string quartets are extraordinary pieces, continuing the line of development inaugurated by Janácek both in their exploration of unusual sonorities and in their use of folk and popular music for much of their melodic substance. The Quartets Nos. 2 and 3 previously were recorded by the Hawthorne Quartet as part of Decca’s Entartete Musik (Degenerate Music) series dedicated to works suppressed by the Nazi regime, but these performances are superior in every way.
This recording presents music by the Czech composers Janáček, Martinů, and Haas, all of whom were prominent figures in their country’s musical history during the early twentieth century. The works are performed by the Janáček Chamber Orchestra, which has won awards for their interpretations of Czech music. Janáček wrote his String Quartet No. 1 during a particularly creative period towards the end of his life. It took its inspiration from Tolstoy’s novella The Kreutzer Sonata, a portrait of a loveless marriage. The dramatic power and deep emotion of this work, coupled with some extraordinary textures and eccentric orchestration, place it among the greatest string quartets ever written. It is here played in a version for string orchestra. Also recorded is the Suite, one of Janáček’s very first works for orchestral ensemble.