Janacek

Leos Janácek (1854-1928) is regarded as the greatest Czech composer of the early twentieth century. In his early works, which included the opera Sárka (1888), and numerous vocal and instrumental works, Janácek followed a traditional, Romantic idiom, typical of late nineteenth century music. Having completed Sárka, however, Janácek immersed himself in the folk music of his native Moravia, gradually developing an original compositional style. Eschewing regular metrical phrasing, Janácek developed a declamatory method of setting the voice that follows the natural rhythmic patterns of the Czech language. Characteristically, Janácek allowed these patterns to inform the music itself. In addition, Janácek's harmonies, forms and orchestration ………

From Allmusic

Leos Janácek (1854-1928) is regarded as the greatest Czech composer of the early twentieth century. In his early works, which included the opera Sárka (1888), and numerous vocal and instrumental works, Janácek followed a traditional, Romantic idiom, typical of late nineteenth century music. Having completed Sárka, however, Janácek immersed himself in the folk music of his native Moravia, gradually developing an original compositional style. Eschewing regular metrical phrasing, Janácek developed a declamatory method of setting the voice that follows the natural rhythmic patterns of the Czech language. Characteristically, Janácek allowed these patterns to inform the music itself. In addition, Janácek's harmonies, forms and orchestration ………

From Allmusic

This recording presents music by the Czech composers Janáček, Martinů, and Haas, all of whom were prominent figures in their country’s musical history during the early twentieth century. The works are performed by the Janáček Chamber Orchestra, which has won awards for their interpretations of Czech music. Janáček wrote his String Quartet No. 1 during a particularly creative period towards the end of his life. It took its inspiration from Tolstoy’s novella The Kreutzer Sonata, a portrait of a loveless marriage. The dramatic power and deep emotion of this work, coupled with some extraordinary textures and eccentric orchestration, place it among the greatest string quartets ever written. It is here played in a version for string orchestra. Also recorded is the Suite, one of Janáček’s very first works for orchestral ensemble.

This vastly entertaining comic work centers around Kate, a talkative, shrewish woman who is avoided by everyone at the village dance. Angry, she announces that she would dance with the devil himself, and voila!, the Devil Marbuel–not-quite-Lucifer, but a “junior” devil–enters and carries her off to Hell. The clever shepherd Jirka offers to rescue her. In Hell, all the devils sit around playing cards, and Kate and Marbuel enter.