Japanese Death Poem

If metal was a war, Engel would be the reinforcements coming in for the Swedish melodic death front. This five-piece band has its roots planted firmly in that camp and finds itself picking up in the wake of In Flames. This makes perfect sense if you consider that Engel guitarist Niclas Engelin was just made a full member of In Flames this year and has also played in Gardenian. The band’s second effort is called "Threnody," and is named appropriately for a few reasons…

Universally known as the King of the Mambo, Pérez Prado was the single most important musician involved in the hugely popular Latin dance craze. Whether he actually created the rhythm is somewhat disputed, but it's abundantly clear that Prado developed it into a bright, swinging style with massive appeal for dancers of all backgrounds and classes. Prado's mambo was filled with piercing high-register trumpets, undulating saxophone counterpoint, atmospheric organ (later on), and harmonic ideas borrowed from jazz. While his tight percussion arrangements allowed for little improvisation, they were dense and sharply focused, keeping the underlying syncopations easy for dancers to follow. Prado played the piano, but was often more in his element as the focal point of the audience's excitement; he leaped, kicked, danced, shouted, grunted, and exhorted his musicians with a dynamic stage presence that put many more sedate conductors and bandleaders to shame. With this blueprint, Prado brought mambo all the way into the pop mainstream, inspiring countless imitators and scoring two number one singles on the pop charts (albeit in a smoother vein than the fare that first made his name) as the fad snowballed. He was a star throughout most of the Western Hemisphere during the '50s, and even after his popularity waned in the United States, he remained a widely respected figure in many Latin countries, especially his adopted home of Mexico.

Simon & Garfunkel's first masterpiece, Parsley, Sage, Rosemary and Thyme was also the first album on which the duo, in tandem with engineer Roy Halee, exerted total control from beginning to end, right down to the mixing, and it is an achievement akin to the Beatles' Revolver or the Beach Boys' Pet Sounds album, and just as personal and pointed as either of those records at their respective bests…

Nitin Sawhney's Beyond Skin works on at least two levels. First, it's a plea against racism and war, relating, as Sawhney writes in the liner notes, that one's identity is defined only by oneself – that identity is "beyond skin." Second, the music is an extremely accomplished blend of classical, drum'n'bass, jazz, hip-hop, and Indian elements. The album's political statements are seen most clearly in the samples imbedded in the beginning and ending of most tracks. Dealing with nuclear testing and identity, the samples are effective in setting the tone for the songs. The music is quite lush, featuring among other instruments, tablas, pianos, and cellos to equally beautiful effect. The production brings a crystal-clear polish to nearly every element in the mix, whether it's the passionate, intense vocals of the Rizwan Qawwali Group on "Homelands" or the stunning, impossibly gorgeous voice of Swati Natekar on "Nadia." The entire album is bathed in eclectic touches which never fail to maintain a poetic, accessible sense of charm and wonder. Rarely has electronic music been crafted with as much substance and style as it has on Beyond Skin. Sawhney travels back and forth between genres quite effortlessly. The album was included in the book 1001 Albums You Must Hear Before You Die.

Works of Igor Stravinsky is a massive set: 22 CDs of performances of Rite of Spring, Petrouschka, L'Histoire du soldat, Symphony in E-Flat, The Rake's Progress and more under the direction of the composer, with additional performances by his disciple Robert Craft under Stravinsky's supervision, and a disc (the Sympony in E-Flat disc, actually) that includes recordings of rehearsals and Stravinsky discussing his own music.