Jasmine Lee

Various Artists - The Night Train Route 1: Rare Blues, R&B And Soul For The Dance Floor (2017) {Jasmine Records JASCD 960 rec 1950s-60s}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 190 Mb | MP3 @320 -> 131 Mb
Full Artwork @ 300 dpi (png) -> 31 Mb | 5% repair rar | Mono
© 1950s-early 1960s, 2017 Jasmine Records | JASCD 960
R&B / Blues / Soul / Proto Soul / Popcorn / Northern Soul

This is the first CD in a new series for the record label that, “…charts the evolution of soul music across America through genres like R&B, blues and proto soul spanning the fifties and early sixties.” Rather than take each artist at a time, the series forms around the compilation format and, in this first effort, covers 25 tracks.

Charlie Haden & Keith Jarrett - Jasmine
24B/44,1kHz Stereo FLAC: 510 MB | Artwork | 5% Recovery Info
Label/Cat#: ECM # ECM 2165 | Country/Year: Germany 2010
Genre: Jazz | Style: Contemporary Jazz

…Jasmine is, ultimately, jazz distilled to its most essential; it not only expresses emotion and beauty, but discovers them in every moment of its performance.

Keith Jarrett & Charlie Haden - Jasmine (2010) {ECM 2165}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 219 Mb | MP3 @320 -> 150 Mb
Full Artwork @ 300 dpi (jpg) -> 10 Mb | 5% repair rar
© 2010 ECM Records | ECM 2165
Jazz / Contemporary Jazz / Mainstream Jazz / Piano / Bass

The reason to mention the "particulars" of this document of informal sessions is because Keith Jarrett went to the trouble of doing so in his liner notes: they came about in the aftermath of him and Charlie Haden playing together during a documentary film about Haden. The duo, who hadn't played together in over 30 years, got along famously and decided to do some further recording in Jarrett's home studio without an end result in mind. The tapes sat – though were discussed often – for three years before a decision was made to release them. Jarrett used his home Steinway instead of his usual concert Boisendorfer.

The reason to mention the "particulars" of this document of informal sessions is because Keith Jarrett went to the trouble of doing so in his liner notes: they came about in the aftermath of he and Charlie Haden playing together during Ramblin' Boy, a documentary film about Haden. The duo, who hadn't played together in over 30 years, got along famously and decided to do some further recording in Jarrett's Cavelight home studio without an end result in mind. The tapes sat - though were discussed often - for three years before a decision was made to release some of them. Jasmine is a collection of love songs; most are standards played by two stellar improvisers. Picking out highlights on this eight-song, hour-long set is difficult because the dry warmth of these performances is multiplied by deeply intuitive listening and the near symbiotic, telepathic nature of the playing…

The reason to mention the "particulars" of this document of informal sessions is because Keith Jarrett went to the trouble of doing so in his liner notes: they came about in the aftermath of he and Charlie Haden playing together during Ramblin' Boy, a documentary film about Haden. The duo, who hadn't played together in over 30 years, got along famously and decided to do some further recording in Jarrett's Cavelight home studio without an end result in mind. The tapes sat - though were discussed often - for three years before a decision was made to release some of them. Jasmine is a collection of love songs; most are standards played by two stellar improvisers. Picking out highlights on this eight-song, hour-long set is difficult because the dry warmth of these performances is multiplied by deeply intuitive listening and the near symbiotic, telepathic nature of the playing…