Sessions is Union Square Music’s 2CD urban and dance music range. Aimed at both the hardened dance music fan and the impulse purchaser, each Sessions title is packed full of hit singles, big club tracks and a choice selection of forgotten gems and underground classics picked out by our expert crate-digging compilers. Strong generic packaging including an outer slipcase, informative sleeve notes and a low price in the shops have made Sessions one of our most popular labels.
Extraordinary jazz files of the king of swing, the four volumes of this great saga. Highly recommended!
Songwriter Joe Henry has recorded five albums in the 21st century; he’s also become a Grammy-winning producer. These more recent records (of 12) offer a mature view of an artist at his most musically ambitious and lyrically cagey. Reverie, as its title implies, contains 14 songs that seemingly center on the concept of time: the random glinting of memory as it perceives love, loss, spirituality, history, and culture refracted through the gaze of the human heart. Musically, it feels like the loosest album Henry’s ever recorded; its production techniques are organic, live sessions were cut in his home studio with the windows open, allowing the sounds of everyday life–barking dogs, mothers calling children, cars and trucks– to pour through, making them part and parcel of the album's fabric. Henry's lyrics and melodies do, however, contrarily reveal an exacting craftsman. He and his guitar are accompanied by longtime associates, drummer Jay Bellerose, pianist Keefus Ciancia, and bassist David Piltch, with cameos by Patrick Warren, Marc Ribot, Jean McLain, and Lisa Hannigan. His lyrics – scattershot, mercurial expressions of memory – are caught in exacting rhymes that reflect on the power, delight, and torment of desire (he admits as much at the end of his liner essay). The musical forms are more rhythmically inventive and slippery; they serve his ephemeral, evocative lyrics by opening them up to time’s uncageable nature.