This posthumous CD is novel because it features Joe Pass exclusively on acoustic guitar, and it is obvious that he enjoyed every minute of these sessions. "The Shadow of Your Smile" is no longer easy listening fodder, as Pass turns it into a miniature master class in swing. "Star Eyes" is accented by the soft squeaks of Pass' fingers gently weaving their intricate magic. Most of the works of Joe Pass tended to be improvised blues, so the title track is an exception – a simple yet elegant ballad written for his wife. "Blues for Angel" highlights his matchless mastery of slow blues. The boppish blues "Satellite Village" is a perfect closer. The good news is that there are several more unreleased sessions by Joe Pass that will follow this superb collection.
George Benson's sound is so recognizable that, in its way, it's quite comforting to hear his voice or his guitar come across on the radio or in a club. His recordings have been polished and extravagant in many cases, but there are those signature elements – his relaxed delivery and silky touch on the strings and his voice, as evocative as a cool breeze floating across a hot summer night. Songs and Stories doesn't deviate from his formula a great deal, but it doesn't have to. He's chosen ten ubiquitous pop tunes from a variety of songwriters (and one by a relatively new kid on the block), and with the help of producers John Burk and Marcus Miller, he puts them across in fine style.
The album Guitar Poetry by Mikael Mani is a captivating musical journey that showcases the artist's exceptional talent and creativity. Released by Act, this album features a collection of mesmerizing guitar compositions that are sure to captivate listeners.
Hungarian guitarist Elek Bacisk is a cousin of Django Reinhardt, and has continued his tradition of blending swing and gypsy elements into a coherent, expressive jazz mode. Bacisk initially studied classical violin and played gypsy songs in Budapest, then switched to jazz guitar. As a teen, he recorded in a band with alto saxophonist Geza Szabo and trumpeter Jozsef Quitter, then later toured Europe with Mihaly Tabanyi's band. Bacisk moved to Paris in 1959, and through the early and mid-'60s recorded and played with visiting American musicians, among them Art Simmons, Quentin Jackson, Lou Bennett and Dizzy Gillespie. He also did sessions heading his own bands. Bacsik came to America in 1966, and worked from 1967-1974 with Teresa Brewer before cutting his own sessions. He appeared at the 1974 Newport Jazz Festival and 1984 Olympic Games Jazz Festival in Los Angeles.