Jazz Improvisation For Guitar: A Harmonic Approach

Miles Davis - Miles Electric: A Different Kind of Blue (2004) {DVD9 PAL Eagle Rock EE39020-9 rec 1970}
DVD9 -> 5.98 Gb | All Regions | PAL 4:3 | LPCM, 2 ch / Dolby AC3, 6 ch / DTS, 6 ch | ~ 123m | ISO Image
Full Artwork @ 300 dpi (png) -> 18 Mb | Subs: English, Francais, Espanol | 5% repair rar
© 1970, 2004 Eagle Rock / Pulsar | EE39020-9
Jazz / Fusion / Jazz Funk / Trumpet

When he released "Bitches Brew" in 1970, Miles Davis opened up a new angle to jazz which stirred up emotions like no other record before. Some critics accused Davis of selling out, while the public bought it like crazy. It is one of the most examined albums of all time, even garnering a box set of the sessions. To date, "Bitches Brew" is one of the top selling jazz albums of all time. "Miles Electric: A Different Kind of Blue" examines the next step in the creative process…performing these songs live. The 1970 Isle of Wight featured an array of performers from The Who to Jethro Tull to Joni Mitchell. With improvisation playing a big role in the performance, the band (Jack DeJohnette, Chick Corea, Keith Jarrett, Gary Bartz and Dave Holland) had to be "on", yet ready to change on the fly. Directed by award-winning producer Murray Lerner, "Miles Electric" sits down with several of the performers who played with Miles, interspersed with his 1970 Isle of Wight performance, as well as artists such as Carlos Santana and Joni Mitchell, who describe the impact Miles Davis had towards music.

Jimmy Giuffre, Paul Bley, and Steve Swallow had reunited four years prior to this recording session before a live and very enthusiastic audience. On this date, they had been touring together on and off for four years and were as telepathic as in 1961 when they recorded Fusion and Thesis with Creed Taylor at Verve (yeah, the same guy who aesthetically ruined Wes Montgomery and Grover Washington, Jr.)…

Ornette Coleman - Beauty Is a Rare Thing: The Complete Atlantic Recordings (1993) {6CD Box Set Rhino R2 71410 rec 1959-1961}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.45 Gb | MP3 @320 -> 998 Mb
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© 1959-61, 1993 Atlantic / Rhino | R2 71410
Jazz / Avant-Garde Jazz / Free Jazz / Saxophone

While it's true this set has been given the highest rating AMG awards, it comes with a qualifier: the rating is for the music and the package, not necessarily the presentation. Presentation is a compiler's nightmare in the case of artists like John Coltrane and Ornette Coleman, who recorded often and at different times and had most of their recordings issued from the wealth of material available at the time a record was needed rather than culling an album from a particular session.

On Once Around The Room ECM recording artists and key jazz musicians from several generations unite in a small ensemble to celebrate the musical legacy of drum icon Paul Motian in a big way. Joe Lovano and Jakob Bro lead a party of seven through fiery originals that recall the idioms and idiosyncrasies which Motian brought to light over six influential decades behind the drums. Lovano and Motian had been intimate colleagues for many years with their most notable collaboration being the groundbreaking trio featuring Bill Frisell – the lineup released three albums on ECM. Jakob Bro on the other hand made his ECM debut on Paul’s album Garden of Eden (2006). On Once Around The Room, compositions by Joe and Jakob appear alongside collective improvisation and Motian’s own “Drum Music”, seamlessly tied together and developed by an accomplished musical collective with stalwarts Larry Grenadier, Thomas Morgan and Anders Christensen respectively on bass as well as drummers Joey Baron and Jorge Rossy.

New York City can be like a jungle. With a menagerie of people intermingling in seemingly never ceasing action, the City has ecosystems within ecosystems. Vibraphonist/composer Yuhan Su has been inspired by her chaotic new home and her experiences with the individuals she has met there. Her new recording, City Animals, captures her enthusiasm for the craziness of the City and the adventures she has had since her arrival. Originally from Taiwan, Su came to the States in 2008 to further her music studies at Berklee College of Music in Boston, where she expanded her classical percussion knowledge to the world of jazz and improvisation. In 2012, Su moved to New York; she fell in love with the City and immediately immersed herself in the wilds of the jazz scene.