Features 24 bit remastering and comes with a mini-description. The 1960's represented a very interesting time for musicians of all genres; three particular reasons began a trend for future generations of musical artists. The Beach Boys, The Beatles, and The Rolling Stones were the 3 reasons which permanently altered the musical landscape and basically made it impossible for stars of the past to remain economically viable in the present. The only 2 exceptions to the rule of course were Mel Tormé and Frank Sinatra.
Much can be said about the late Amy Winehouse, one of the U.K.'s flagship vocalists during the 2000s. The British press and tabloids seemed to focus on her rowdy behavior, heavy consumption of alcohol, and tragic end, but fans and critics alike embraced her rugged charm, brash sense of humor, and distinctively soulful and jazzy vocals. Her platinum-selling breakthrough album, Frank (2003), elicited comparisons ranging from Billie Holiday and Sarah Vaughan to Macy Gray and Lauryn Hill. Interestingly enough, despite her strong accent and vernacular, one can often hear aspects of each of those singers' vocal repertoires in Winehouse's own voice. Nonetheless, her allure had always been her songwriting – almost always deeply personal but best known for its profanity and brutal candor.
Features 24 bit remastering and comes with a mini-description. Mavis Rivers meets Shorty Rogers – and the result is a hell of a swinging session that may well be the greatest record ever from this overlooked vocalist! Shorty brings a groove into play right from the start – one that pushes Rivers past her sometimes-trilling style, and into a mode that's rock-solid and soulful all the way through – very much in the same spirit that Marty Paich or Oliver Nelson might bring to their own great arrangements for a singer.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Janice Lakers is a singer we only know from this one album – but she's a hip vocalist with a very compelling style – one that's very much in the best mode of some of the cooler American jazz singers of the late 70s! The song choices are great – some hipper jazz standards – and she's got a way of opening up with the lyrics that's far different than older vocal modes of the 50s – instead nearer to the territory of artists like Janet Lawson or Judy Roberts. Backing is by a hip trio with Debbie Poryes on piano – who really open up with their own sense of presence on the record, too – and titles include "Waltz For Debby", "Like A Lover", "Falling Grace", "Rainbow Lady", "In Your Own Sweet Way", and a nicely grooving take on "Moondance".
Features 24 bit remastering and comes with a mini-description. Organist Shirley Scott's first of three Atlantic LPs (all are very difficult to find these days) was her last recording with her husband, tenor saxophonist Stanley Turrentine, who would soon gain great fame along with a divorce. Although Scott plays well enough and the supporting cast (which includes guitarist Eric Gale) is funky, the material is quite erratic, including Ray Stevens' "Mr. Businessman," "Like a Lover" (which has a rare vocal by the organist), and "Blowin' in the Wind." This collector's item has its interesting moments.