Compost is one of the most prolific, highly acclaimed and in demand indie labels in Europe. Compost and it's sublabels Compost Black Label and Drumpoet Community standing for quality music, a sophisticated mixture of electrifying disco, house, techno, soul, jazz and a little bit of pop.
Whether called Dixieland, traditional jazz or New Orleans jazz, it is the happiest music in the world, a music that exudes joy and found its perfect symbol and world ambassador in Louis Armstrong. Originating out of the south (particularly New Orleans), the style in its various forms was a major force in the 1920s. While overshadowed by swing in the 1930s, Dixieland made a comeback in the early 1940s with Lu Watters Yerba Buena Jazz Band being one of the first revival bands. Whether played by veterans such as Bunk Johnson and Kid Ory or newcomers of the time such as Pete Fountain and the Dukes of Dixieland, the music has been a permanent part of the jazz landscape ever since.
Jewels in the Treasure Box: The 1953 Chicago Blue Note Jazz Club Recordings is a previously unissued 3-LP collection of recordings from jazz icon and virtuosic pianist, Art Tatum, captured live at the Blue Note jazz club in Chicago in March of 1953 with guitarist Everett Barksdale and bassist Slam Stewart. These recordings were transferred from the original tape reels and mastered for LP and CD by engineer Matthew Lutthans (who also worked on Resonance’s Grammy-nominated 2019 Nat King Cole release Hittin’ the Ramp). Containing a whopping nearly 3 hours of never-before-heard Art Tatum captured in an intimate setting at the height of his powers with his longtime trio, the deluxe, limited-edition 180-gram 3-LP gatefold set (and 3-CD set) includes rare photos and memorabilia from Herman Leonard, Bob Parent and the Holzfeind family archives (owners of the Blue Note jazz club in Chicago); plus liner notes from Columbia University professor and author, Brent Hayes Edwards; as well as statements from Ahmad Jamal, Sonny Rollins, Monty Alexander, ELEW, Spike Wilner, Johnny O’Neal, Michael Weiss and Terry Gibbs.
Robert Jan Meyer also started his own compilation series: "Science Fiction Jazz 1-12 (Vol. 1 at the same time, was the beginning of the "Mole Listening Pearls"- Label) and "Batucada 1-3". He compiled the double CD "Blue Note Weekend" for the renowned jazz label "Blue Note" and two more samplers on the Japanese market.
Five stars for Ken Burns on this excellent compilation! I really like that Ken Burns was able to capture jazz from all the major periods of jazz from the traditional to fusion. Some say, as one reviewer did here, that bop was "crammed" in and traditional jazz was represented a little healthy in this series.
42 original albums (+4 EPs and 27 Singles) gathered on 20CDs ‘Jazz From America On Disques Vogue’ reviews the revolutionary passage from the 78 rpm to the Long-Play era. A totally cool little package – one that features 20 different CDs, each done as a different tiny replica of a 10" LP that originally appeared on the Vogue Records label overseas! Vogue was well-known for recording important sessions by American jazzmen in Paris in the early 50s – but this package brings together work that was recorded in America by many of the same artists, and issued by Vogue in unique packages overseas – many of which are replicated here, along with bonus material too! The set features 20 CDs, but includes 40 different albums – as each CD features tracks from original 10" album releases – with full details on tracks, personnel, and other information in the large booklet provided – a great complement to the records by artists who include Stan Getz, Gerry Mulligan, Red Norvo, Lester Young, Mahalia Jackson, Spirit Of Memphis Quartet, Wynonie Harris, Earl Bostic, Charlie Parker, Charlie Christian, Art Tatum, Erroll Garner, Sidney Bechet, Miles Davis, and others!
Import 25 CD boxset containing 25 of the finest Jazz albums ever released. Each album is packaged in a card wallet, and the box set includes a 40 page booklet in both English and French.
An epic 100 CD chronological documentation of the history of jazz music from 1898 to 1959, housed in four boxed sets. Each box contains 25 slipcase CDs, a booklet (up to 186 pages) and an index. The booklets contain extensive notes (Eng/Fr) with recording dates and line-ups. 31 hours of music in each box, totalling 1677 tracks Each track has been restored and mastered from original sources.