Coming off his Grammy-nominated 2013 album, The World According to Andy Bey, vocalist/pianist Andy Bey delivers the equally compelling 2014 release Pages from an Imaginary Life. As with its predecessor, Pages finds the jazz iconoclast returning to his roots with a set of American Popular Song standards done in a ruminative, stripped-down style. This is Bey, alone at the piano, delving deeply into the harmony, melody, and lyrics of each song. But don't let the spare setting fool you. Bey is a master of interpretation. In his seventies at the time of recording, and having performed over the years in a variety of settings from leading his own swinging vocal trio, to working with hard bop pioneer Horace Silver, to exploring the avant-garde with Archie Shepp, Bey has aged into a jazz oracle who doesn't so much perform songs as conjure them from somewhere in the mystical ether of his psyche.
This three-CD set documents some historic country-blues performances by the likes of Mississippi John Hurt, Skip James, Bukka White, Mississippi Fred McDowell and Mance Lipscomb. The urban side of things is well represented by Lightnin’ Hopkins, John Lee Hooker, Memphis Slim, Muddy Waters with Otis Spann, The Paul Butterfield Blues Band and The Chambers Brothers turning in a riveting rendition of “See See Rider.” Included here are 11 previously unreleased tracks. A must for acoustic-blues fans.
Colors of a Dream is the sixth HighNote Records album by trumpeter-composer Tom Harrell, featuring two basses played by Ugonna Okegwo and Esperanza Spalding, with the latter doubling on vocal, Jaleel Shaw on alto saxophone, Wayne Escoffery on tenor saxophone, and Johnathan Blake on drums. According to JazzTimes, this album deviates from Harrell's previous works. The use of piano is absent, and the three horns often play in block-chord formation. There are hints of Latin jazz, R&B and indie-rock. According to the review, "Colors of a Dream may deviate, but it never disappoints."