Jean Huré

Ensemble Orchestral de L'Oiseau-Lyre - Arne - Comus (Remastered 2022) (2022) [Official Digital Download 24/96]

Ensemble Orchestral de L'Oiseau-Lyre - Arne - Comus (Remastered 2022) (2022) [Official Digital Download 24/96]
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 71:12 minutes | 1,4 GB
Classical | Label: Archipel, Official Digital Download

Ces Éditions de L’Oiseau-Lyre ont été créées par une riche mécène australienne, amoureuse de la culture française : Louise B.M. Dyer (1884-1962). Voyant, en 1932, que les œuvres de François Couperin n’avaient jamais été publiées dans une édition complète et savante, elle s’entoure des meilleurs musicologues de l’époque et réalise ainsi en 1933 en douze volumes, l’Œuvre complète de François Couperin, édition somptueuse, monument de l’histoire de l’édition musicale.

Thierry Mineau - Paris (1989) {Melodie}  Music

Posted by tiburon at June 13, 2020
Thierry Mineau - Paris (1989) {Melodie}

Thierry Mineau - Paris (1989) {Melodie}
EAC 0.99pb4 | FLAC tracks level 5 | Cue+Log+M3U | Full Scans 300dpi | 261MB + 5% Recovery
MP3 CBR 320 Kbps | 103MB + 5% Recovery
Genre: Fusion

This phenomenal French bassist leads a fine European group through some burning instrumentals. With special guests Mike Stern, Frank Gambale, Bireli Lagrene on guitar; Toots Thielemans, harmonica; Billy Cobham, drums and Mino Cinelu on percussion.

Toufic Farroukh - Drab Zeen (2002) {Harmonia Mundi}  Music

Posted by tiburon at Sept. 19, 2020
Toufic Farroukh - Drab Zeen (2002) {Harmonia Mundi}

Toufic Farroukh - Drab Zeen (2002) {Harmonia Mundi}
EAC 1.0b3 | FLAC Image level 6 | Cue+Log | Full Scans 200dpi | 321MB + 5% Recovery
MP3 CBR 320 Kbps | 122MB + 5% Recovery
Genre: Ethnic Fusion

Drab Zeen represents one of the finest examples of this important emerging new sub-genre, Arab-jazz. The genius of this disc is how Farroukh has effortlessly melded such disparate elements as jazz trombone and saxophone, chill-beats, French vocals, acoustic piano, oud, ney, and accordion into a singly tapestry of unique sounds, all the while retaining the essential elements of each instrumental voice even as he transforms the whole into something entirely new and heretofore unheard. Farroukh has grown in every facet of his music-making: tighter and more evocative compositions, a richer and more varied sound palette, cleaner production, superior sax blowing, and a deeper groove.