Sabine Devieilhe, the young French lyric-coloratura soprano, is a singer “whose upper register, like her virtuosity, appears limitless, while her verbal sense and dramatic engagement are breathtaking”. A prizewinner in the 2013 Victoires de la Musique Classique, France’s equivalent of the Grammys, she has recorded a ravishing programme of excerpts from operas by Rameau with conductor Alexis Kossenko and his ensemble Les Ambassadeurs.
Sabine Devieilhe, the young French lyric-coloratura soprano, is a singer “whose upper register, like her virtuosity, appears limitless, while her verbal sense and dramatic engagement are breathtaking”. A prizewinner in the 2013 Victoires de la Musique Classique, France’s equivalent of the Grammys, she has recorded a ravishing programme of excerpts from operas by Rameau with conductor Alexis Kossenko and his ensemble Les Ambassadeurs.
In celebration of the 250-year anniversary of Jean Philippe Rameau’s death, this album is a selection of Teodor Currentzis’ favourite orchestral and orchestral / vocal works by Rameau - taken mostly from his operas and opera-ballets.
The soloists of the Simón Bolivar Orchestra of Venezuela have invited harpsichordist Bruno Procopio to conduct a programme dedicated entirely to Jean-Philippe Rameau. Procopio has also recorded the 'Pièces de clavecin en concerts' and first performed this all-Rameau programme at the Simón Bolivar Concert Hall in 2012. Discovering French Baroque music was a new departure for the Venezuelan musicians who responded with characteristic enthusiasm and verve to this dance-related suite, albeit working as a smaller group than usual. Maestro José Antonio Abreu, founder of El Sistema is also an acclaimed harpsichorist but as yet there are no period instrument orchestras in Venezuela.
Lars Ulrik Mortensen is best known as a harpsichordist active largely in Baroque solo and chamber music repertory. But his career is quite multifaceted: he has regularly conducted both instrumental and operatic works and has taught harpsichord and historic performance practices at the Hochschule fur Musik in Munich. He has often appeared in concert as accompanist to singer Emma Kirkby and has regularly partnered violinist John Holloway and cellist Jaap ter Linden.
The event known as 'Les grandes eaux Musicales de Versailles 2012', when all the fountains are working, accompanied by music, is presented by the Palace of Versailles in collaboration with Alpha. The music consists of a selection of absolute masterpieces of French Baroque music, from seventeenth- and eighteenth- century songs to great classics of the operatic repertoire, performed by some of the label's leading artists, including the ensemble Pygmalion, Le Poème Harmonique, Café Zimmermann and others.
This double album is an invitation to explore the forces of nature, so vividly depicted by the composers at the turn of the XVIIth and XVIIIth centuries. With this stunning (and first) recording of Jean-Fery Rebel’s Les Elements, Jordi Savall displays his unmatched vision of the baroque orchestral repertoire, proving that authenticity and timbral beauty aren’t mutually exclusive. New recordings of works by Locke, Vivaldi, Marais, Telemann and Rameau - a splendidly varied and expressively wide-ranging selection - is a welcome addition to the existing landmark recordings made by Savall in this repertoire.
Baroque Masterpieces - collection of Baroque music in the best performance in the company Sony BMG DHM Artenova. One of the best collections of Baroque music! The greatest works - the legendary performance! Baroque music is a style of European classical music in the period from about 1600 to 1750. The Baroque era follows the Renaissance and the Classical period precedes. The main in this music was an expression of emotions. Baroque music - this violence and ecstasy, in contrast to the confidence and independence of the Renaissance.
The action in this tale about the 18th century adventurer and (at least in popular lore) seducer is set in Cassanova's native Venice in the mid-1700s, so it makes sense that the soundtrack would be loaded with Baroque pieces. The Venice-based Tomaso Albinoni is featured prominentaly, along with heavyweights such as Antonio Vivaldi, Jean-Baptiste Rameau, and George Frideric Handel, and lesser-known composers such as Arcangelo Corelli, Francesco Durante, and Alexandre Desplat…
Overall, it would have been nice to get longer excerpts from the pieces–many feel chopped into too-small fragments–but the music's innate grace and elegance can't be beat for a period film. Or for any film, really: Vivaldi's Concerto in C Major ("The Doge's Decree") will be familiar to buffs, who will remember it featuring prominently in the Dustin Hoffman-¬Meryl Streep showdown Kramer vs. Kramer back in 1979. –Elisabeth Vincentelli.