Jean Pierre Rampal

I have heard for so many years that the guitar is not a true classical instrument worthy of of a place in the symphony. Here you have a masterful recording from a composer that was a contemporary of Beethoven. It trully rivals anything I have heard form that period! I have been a Carulli fan ever since I started studying classical guitar. I love either playing or listening to his works. With nearly four hundred opus numbers, he has something to offer even the most discriminating classical music lover. This particular recording has a nice mix of concertos and duets for guitar and flute that seem to be the perfect combination for music that soars along.

Lily Laskine was one of the most prominent harpists of the twentieth century. Born Lily Aimée Laskine to Jewish parents in Paris, she studied at the Conservatoire de Paris with Alphonse Hasselmans and became a frequent performing partner of several distinguished French flautists, including Marcel Moyse and Jean-Pierre Rampal. Laskine also served as professor of harp at the Conservatoire de Paris from 1948 to 1958. She was awarded the Legion of Honour in 1958. She died in Paris.

Not surprisingly, Jean-Pierre Rampal’s recordings for Erato during the 1970s – when he was at the top of his career – encompass an immense repertoire, with a special emphasis on discoveries, whether in baroque, classical or romantic flute literature. Still a model today for flutists and flute lovers all over the world, his incomparable sound, spectacular brilliance and fabulous artistry made many albums legendary. Beyond their sheer beauty, the immense joy of music-making they communicate and the excitement they generate make these performances simply unforgettable.

Jean-Pierre Rampal is often considered the greatest flutist of the modern era. In addition to his exceptional talent, he raised the flute to unprecedented solo status, popularizing the flute literature, the flute recital and flute recordings. The rediscovery of the Baroque, Classical and Romantic repertoire for the flute is one of his outstanding achievements, as well as his numerous collaborations with composers; over 100 works have been written for and premiered by him. He recorded for Erato from the mid-1950s, with many discs receiving awards internationally. This is the second of four boxed sets comprising the complete Erato recordings (1954 to 1982) and the complete HMV recordings (1952-1976), gathered together for the first time. The set ranges from the masterpieces of Mozart, Handel and Bach to modern repertoire by Damase and Arma.

This is one of the best clarinet/flute concertos (concerti) recorded with Pleyel’s compositions. Pleyel demanded “virtuosic brilliance” and so the performers must be at the top of their game to play his works. Paul Meyer is known for a wide repertory and an interest in modern works for clarinet. He began studying clarinet as a child and made his solo debut with the Symphony Orchestra of the Rhine at the age of 13.

Jean-Pierre Rampal - The Complete Erato Recordings Vol I. 1954-1963 (2015) {10CD Box Set Erato-Warner Classics 0825646190447}
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© 2015 Erato / Warner Classics | 0825646190447
Classical / Chamber Music / Flute

Ushering in a new golden era for the flute as solo instrument, Jean-Pierre Rampal secured his place in the classical music firmament as the greatest flautist of the modern era. Over 25 years (1954-1982), the French virtuoso’s fruitful collaboration with Erato grew into a truly exceptional achievement in recording history: an encyclopedia of flute music in vital performances that have remained the benchmark for generations. The first complete reissue of these recordings represents the most important collection ever dedicated to a single flautist. After all, it was Jean-Pierre Rampal that taught us to love the flute.