Jean Wail

Propelled by a heavy rocking band, the music explores dark Crimsonian horizons, illuminated by Franck’s stellar guitar. Unit Wail proposes us here somekind of dark Zeuhl post-rock, exploring little frequented side-paths.
Recorded in 2018/2019, Unit Wail's line-up hasn't changed since their previous album ('Beyond Space Edges') although this time ex-Art Zoyd trumpet player Jean-Pierre Soarez is featured on several tracks, and also Frank Fromy (ex-Shub Niggurath) on guitar on 2 tracks. The studio production is excellent. As before, this is an all-instrumental album; probably their best offering so far. A band that gets better with every album.

Kenny Clarke - Klook's The Man (2007) {4CD Box Set Properbox 120 rec 1938-1956}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 826 Mb | MP3 @320 -> 621 Mb
Full Artwork @ 300 dpi (jpg) -> 32 Mb | 5% repair rar
© 1938-56, 2007 Proper Records | P1577–P1580 / Properbox 120
Jazz / Bebop / Bop / Cool / Drums

Kenny Clarke was a jazz drummer and an early innovator of the BeBop style of drumming. As the house drummer at Minton's Playhouse in the early 1940s, he participated in the after hours jams that led to the birth of modern jazz. He is credited with creating the modern role of the ride cymbal as the primary timekeeper. Before, drummers kept time on the snare drum ("digging coal", Clarke called it) with heavy support from the bass drum. With Clarke time was played on the cymbal and the bass and snare were used more for punctuation. For this, "every drummer" Ed Thigpen said, "owes him a debt of gratitude." Clarke was nicknamed "Klook" or "Klook-mop" for the style he innovated.

Ultra-Lounge is a series of compilation CDs released by Capitol Records, featuring music predominantly from the 1950s and 1960s in genres such as exotica, space age pop, mambo, television theme songs, and lounge. Many of the volumes have since been made available for purchase via digital download. Each CD featured detailed liner notes along with two related drink recipes, tips on how to serve drinks to guests, and often photographs of sculptures made out of bartender items and other objects.

Ricci’s recording of Sibelius’s Violin Concerto falls between Jascha Heifetz’s two (1935 and 1959) and straddles the demonic energy of the first and the icy mystery of the second. Decca’s engineers (Cyril Windebank and Gordon Parry, in this case) reproduce the sharp bite of the brass and clarity of the strings. They also project Ricci forward so as to capture the cleanness of his playing and the richness of his tone.

Excellent addition to any prog rock music collection.
Gabriel Yacoub, for all that he has done as a solo artist, is still best known and remembered for his pioneering work with the group malicorne, who played electric folk music from France.

A great surprise to discover the work of this Mexican musician, who somehow managed to invite for this album some of the best musicians of the genre, from representative and even legendary bands. The music is difficult to categorize in a few words, as it is full of changes not only in time but also in style, genre or mood. We can find Zeuhl, Math, RIO, Jazz, Symphonic or Rock riffs. Influences from names like Zappa, Present, Magma, etc. To stop to analyze each track would be a crazy task, because the ideas come and go in a frenetic way, leaving barely space to breathe to the listener. One of those albums that we are thankful for because they never stop trying to surprise us at every second. And for glorious moments it really succeeds.

The Cape Verdean singer was the preeminent force of morna music, which combines fado, jazz, and Latin.

Recorded live and mixed by none other than Brian Eno, 'The Surgeon…' is one of Fourth World inaugurator Hassell's most breathtaking full-lengths, capturing the physicality of his performance and matching his lopsided trumpet work with hypnotic synths and ghostly, muted percussion. If you've not jumped into his catalog before, this is the perfect starting point!