Jew

A brilliantly written graphic novel about the real human experience of living behind the iron curtain from one of Italy's leading comic artists.

The Healthy Jew traces the culturally revealing story of how Moses, the rabbis, and other Jewish thinkers came to be understood as medical authorities in the nineteenth and twentieth centuries. Such a radically different interpretation, by scholars and popular writers alike, resulted in new, widespread views on the salubrious effects of, for example, circumcision, Jewish sexual purity laws, and kosher foods. The Healthy Jew explores this interpretative tradition in the light of a number of broader debates over 'civilization' and 'culture,' Orientalism, religion and science (in the wake of Darwin), anti-Semitism and Jewish apologetics, and the scientific and medical discoveries and debates that revolutionized the fields of bacteriology, preventive medicine, and genetics/eugenics.

In this provocative and insightful book, Joanna Beata Michlic interrogates the myth of the Jew as Poland's foremost internal “threatening other,” harmful to Poland, its people, and to all aspects of its national life. This is the first attempt to chart new theoretical directions in the study of Polish-Jewish relations in the wake of the controversy over Jan Gross’s book Neighbors. Michlic analyzes the nature and impact of anti-Jewish prejudices on modern Polish society and culture, tracing the history of the concept of the Jew as the threatening other and its role in the formation and development of modern Polish national identity based on the matrix of exclusivist ethnic nationalism.
In the late nineteenth century and throughout the greater part of the twentieth, exclusivist ethnic nationalism predominated over inclusive civic nationalism in Polish political culture and society. Only in the aftermath of the political transformation of 1989 has Polish civic nationalism gradually gained predominance. As civic nationalism has become more assertive, Polish scholars have begun to unearth and critically examine the legacies of Polish anti-Semitism and other anti-minority prejudices. Michlic conducted extensive research in Polish, British, and Israeli archives for this book. Poland’s Threatening Other contributes to modern Jewish and Polish history, the study of nationalism, and to a new school of critical inquiry into the nature of anti-Jewish prejudices.

In Blood Relations, Janet Adelman confronts her resistance to The Merchant of Venice as both a critic and a Jew. With her distinctive psychological acumen, she argues that Shakespeare’s play frames the uneasy relationship between Christian and Jew specifically in familial terms in order to recapitulate the vexed familial relationship between Christianity and Judaism.
Adelman locates the promise—or threat—of Jewish conversion as a particular site of tension in the play. Drawing on a variety of cultural materials, she demonstrates that, despite the triumph of its Christians, The Merchant of Venice reflects Christian anxiety and guilt about its simultaneous dependence on and disavowal of Judaism. In this startling psycho-theological analysis, both the insistence that Shylock’s daughter Jessica remain racially bound to her father after her conversion and the depiction of Shylock as a bloody-minded monster are understood as antidotes to Christian uneasiness about a Judaism it can neither own nor disown.
In taking seriously the religious discourse of The Merchant of Venice, Adelman offers in Blood Relations an indispensable book on the play and on the fascinating question of Jews and Judaism in Renaissance England and beyond.