Jewish Eugenics John Glad

This a real gun, and a dark gem of psychedelia, in this case more towards hard and bluesy sounds. Material of this caliber should not miss in any discography that boasts excellent material. Featuring ex-Ugly Ducklings drummer Robin Boers and guitarist John Richardson from Nucleus.

John Eliot Gardiner and his period instrument ensemble produce a lovely, smooth sound in these very well played performances, which use Handel's versions for strings and winds. Balances are fine; playing and recording collaborate to produce a treasurable clarity in which every line registers. –Leslie Gerber … Handel's epic oratorio, Israel in Egypt, here in a gripping performance by John Eliot Gardiner and the Monteverdi Choir and Orchestra, was a failure during Handel's lifetime. This was perhaps because of its immense variety of compositional techniques and forms.

From the haunting, funereal bells and emotional wails of opening track “Mother,” it was immediate – John Lennon’s first solo studio album was unlike anything he had made before. Recorded in 1970, shortly after the demise of The Beatles, John Lennon/Plastic Ono Band saw John stripping away the artifice and ornamentation for a visceral artistic exorcism that was confessional, raw, painfully honest, and revelatory. Inspired by the primal scream psychotherapy he and wife Yoko Ono had been practicing with Dr. Arthur Janov, John, joined by the minimalist Plastic Ono Band – Ringo Starr on drums and Klaus Voormann on bass, and producer Phil Spector – confronted his demons, professed his love for his wife, railed against false idols and declared the dream was over on his most personal album. Today it stands as the towering achievement of his solo career – the moment the biggest rock star in the world bared his soul for all to hear – as real as it was revolutionary.