Jezebel Rose

Kate McAlistair a toujours écrit. Elle se lance comme graphiste, mais après s'être mariée et avoir eu deux enfants, l'écriture va prendre dans sa vie une place prépondérante.
Fascinée par sa famille qui vécut en Asie durant les Années Folles, elle se nourrie de photographies d'époque et d'Art asiatique. Elle est particulièrement passionnée par l'Inde, la Malaisie et la Chine. …

Though his influence proved less durable than his record sales, Frankie Laine was one of the most popular vocalists of the 1950s, swinging jazz standards as well as half a dozen Western movie themes of the time with his manly baritone. Laine's somewhat artificial Western nature proved more successful in far-off England, where he set two chart records in 1953: his version of "I Believe" stayed at number one in the U.K. for an incredible 18 weeks, and his two subsequent chart-toppers that year ("Hey Joe," "Answer Me") set a record by putting Laine at number one for 27 weeks during the year.

Édith Piaf is almost universally regarded as France's greatest popular singer. Still revered as an icon decades after her death, "The Sparrow" served as a touchstone for virtually every chansonnier, male or female, who followed her. Her greatest strength wasn't so much her technique, or the purity of her voice, but the raw, passionate power of her singing. (Given her extraordinarily petite size, audiences marveled all the more at the force of her vocals.) Her style epitomized that of the classic French chanson: highly emotional, even melodramatic, with a wide, rapid vibrato that wrung every last drop of sentiment from a lyric. She preferred melancholy, mournful material, singing about heartache, tragedy, poverty, and the harsh reality of life on the streets; much of it was based to some degree on her real-life experiences, written specifically for her by an ever-shifting cast of songwriters.

Édith Piaf is almost universally regarded as France's greatest popular singer. Still revered as an icon decades after her death, "The Sparrow" served as a touchstone for virtually every chansonnier, male or female, who followed her. Her greatest strength wasn't so much her technique, or the purity of her voice, but the raw, passionate power of her singing. (Given her extraordinarily petite size, audiences marveled all the more at the force of her vocals.) Her style epitomized that of the classic French chanson: highly emotional, even melodramatic, with a wide, rapid vibrato that wrung every last drop of sentiment from a lyric. She preferred melancholy, mournful material, singing about heartache, tragedy, poverty, and the harsh reality of life on the streets; much of it was based to some degree on her real-life experiences, written specifically for her by an ever-shifting cast of songwriters.

The five albums collected in this 2013 slipcased box – The Wishing Chair, In My Tribe, Blind Man’s Zoo, Our Time in Eden, and MTV Unplugged – capture 10,000 Maniacs' work during their Elektra years. 1985 to 1993 represents the group's most popular and creative peak, and this box is an easy, affordable way to get all the material from that era in one purchase. Each album is presented as a mini-LP housed in a cardboard sleeve as a way to cut down cost and save space.