The Essential Chet Atkins: The Columbia Years collects 15 tracks from eight albums recorded between 1983 and 1997. While Atkins never fully gives up his country roots, much of this material leans in a definite jazz-pop direction, highlighted by memorable collaborations with Mark Knopfler on "Poor Boy Blues," "So Soft, Your Goodbye," and "I'll See You in My Dreams." Atkins also trades licks with Tommy Emmanuel on "Dixie McGuire" and "Road to Gundaghi/Waltzing Matilda," as well as longtime buddy Jerry Reed on "Sneakin' Around." The selections have been digitally remastered so every tiny musical nuance can be detected, which should no doubt satisfy guitar enthusiasts and Atkins fans.
Grammy Award-winning singer, songwriter and musician Jason Isbell and his band the 400 Unit release their highly anticipated new album, Reunions, via Southeastern Records / Thirty Tigers. Produced by Grammy Award-winning producer Dave Cobb and recorded at Nashville’s historic RCA Studio A, the album features 10 new songs written by Isbell.
For its third outing, Latin Quarter served up more surprises for its fans. Trimmed down to a quartet (half the band it used to be?), the band was more musically focused on this album than ever before. Choosing to keep the world rhythms to a minimum, the album's backbeat was clearly lush acoustic pop with a few touches added for flourish and flavor. Without completely altering their approach, the bandmembers were able to simplify their sound without giving up their identity. In doing so, they finally created what could be considered the "Latin Quarter" sound. Steve Skaith (vocals and guitar) served up some his best melodies to date, while lyricist Mike Jones proved to be as thought-provoking as ever, challenging the listener with each song.
With 2013's English Electric, Orchestral Manoeuvres in the Dark made a record that paid tribute to their heroes Kraftwerk, while also embracing their own mid-'80s sound, which made them the darlings of the John Hughes set. They must have liked the formula they used to get that result, because they repeat it on 2017's The Punishment of Luxury. Now down to the duo of Andy McCluskey and Paul Humphreys, they've once again crafted a sleek and shiny synth pop album that has all the clean lines of their original incarnation and all the gloss of their poppiest era. It makes for a very nostalgic listening experience, but it never feels like a museum piece, especially since neither man's voice sounds like it has aged a day…
The first-ever collection to celebrate the contribution and career of cherished Motown star Mary Wilson. The Motown Anthology features 38 songs. Featured songwriters include Berry Gordy, Smokey Robinson, Holland-Dozier-Holland, Deke Richards, Barry Mann and Cynthia Weil, Thom Bell and Linda Creed.
Who, you might be asking? OK, so Americans may regard Southern California’s revivalists of powerful melodic punk *Face To Face *as something of a punk rock institution but over on this side of the pond their tumultuous ten-year career is more viewed as a punk rock travesty. For despite touring incessantly throughout the states and putting out consistently well written and well-received albums throughout the nineties, headlining venues up to 3000 capacity the band still had not released anything in Europe.