One of the only albums ever cut by Maxi Anderson – a hell of a soul singer who's lent her talents to a number of sessions over the years, but who sounds especially great here in the lead! Anderson's got a vibe that's almost like Minnie Riperton at the time – a warmly glowing approach to soul that's sophisticated, yet sweet and personal too – set up nicely here with some great Cali arrangements from Gene Page, who slides in an undercurrent of funky soul at the bottom – especially on some of the album's great Skip Scarborough cuts. Titles include "Dancin To Keep From Cryin", "Glory Glory", "Delta Road", "Lover To Lover", "Let Him In", "By Your Side", "Walk Softly", "The Perfect Day", and "Music On My Mind".
"Welcome to Heaven" is a studio album recorded by John Wetton. Originally released in Japan in 2000. It was re-released in 2001 under the title SINISTER without the bonus tracks but with a different cover. The wonderful musicians who have helped to make this album what it is: Steve Hackett, Robert Fripp, Ian McDonald, Dick Wagner, Johny Young, Gary Chandler, Steve Christey, John Mitchell, Greg Bisonette, Todd Suchermann, Keith Bessey and last - but never least - Martin Orford.
Cinema 's latest art, in other words the seventh art. Six other arts include theater, painting, sculpture, music and dance. Among these are the only art cinema is not only to serve a six-art but also promoting them have been able to forgive. As well as the cinema industry, the technique is also employed in your text. In the collection you will be familiar with the cinema and science of cinema.
Most rock & roll bands are a tightly wound unit that developed their music through years of playing in garages and clubs around their hometown. Steely Dan never subscribed to that aesthetic. As the vehicle for the songwriting of Walter Becker and Donald Fagen, Steely Dan defied all rock & roll conventions.
Buck Owens turned Bakersfield, California into the epicenter of hip country music in the mid-'60s. All it took was a remarkable streak of number one singles that steam rolled right through Nashville with their electrified twang, forever changing the notion of what constituted country music and codifying the Bakersfield sound as hard-driving rhythms, trebly Telecasters, and lean arrangements suited for honky tonks, beer joints, and jukeboxes all across America. Half-a-century later, these remain sonic signifiers of Bakersfield, so the term no longer conveys a specific sound, place, and era, a situation the weighty Bear Family box The Bakersfield Sound: Country Music Capital of the West 1940-1974 intends to rectify.
Some places retain a quiet magic. This magic doesn’t announce itself, but you do feel it nonetheless. It’s in the air and among the denizens as if they’re keeping a secret they can’t wait to share—but hold onto tightly nonetheless. You can count Muscle Shoals, Alabama among those mythical places…