Joan Baez Joan Baez Vol

The ultimate compendium of a half century of the best music, now revised and updated. 1001 Albums You Must Hear Before You Die is a highly readable list of the best, the most important, and the most influential pop albums from 1955 through today. Carefully selected by a team of international critics and some of the best-known music reviewers and commentators, each album is a groundbreaking work seminal to the understanding and appreciation of music from the 1950s to the present. Included with each entry are production details and credits as well as reproductions of original album cover art. Perhaps most important of all, each album featured comes with an authoritative description of its importance and influence.

Joan Baez's second album, recorded when she was 20 years old, is a hearty helping of folk masterpieces that give ample evidence to exactly how she was established as a leader of the contemporary folk scene of the day. In August of 2001, Joan Baez, Vol. 2 was reissued in an audiophile remastered edition, with new annotation and containing three additional songs from the same sessions – all are a match for anything on the original album, and "I Once Loved a Boy" and "The Longest Train I Ever Saw" count among the saddest, most emotionally enveloping songs of Baez's early career.

Joan Chandos Baez is an American singer, songwriter, musician and activist. Her contemporary folk music often includes songs of protest or social justice. Baez has performed publicly for over 60 years, releasing over 30 albums. Fluent in Spanish and English, she has also recorded songs in at least six other languages…

This 1987 best-of compiles the work from A&M efforts that marked a stylistic change from her Vanguard years, yet a pretty consistent level of success. Relying on the work of other artists seemed to be more hit and miss during the A&M era…

This 1987 best-of compiles the work from A&M efforts that marked a stylistic change from her Vanguard years, yet a pretty consistent level of success. Relying on the work of other artists seemed to be more hit and miss during the A&M era. In Baez's interpretations of songs like Bob Dylan's "Simple Twist of Fate" and "Forever Young" and John Lennon's "Imagine," her pitch-perfect tone might strike some as unemotional, but her singing is engrossing nonetheless. Not surprisingly, Baez sounds the best here with the tracks that deviate from weighty issues. "Gracias a la Vida" (sung in Spanish) and the haunting "Di Da" (with Joni Mitchell) have her giving off more charm and emotion than usual. "Children and All That Jazz," from her best-selling 1975 album Diamonds & Rust, has a gorgeous, heavily produced '70s L.A. pop/rock style that suited her voice. Unlike many greatest-hit sets, Classics, Vol. 8 also offers strong live performances, including "The Night They Drove Old Dixie Down" and the CD closing "Amazing Grace." Classics, Vol. 8 has the strength of a regular release effort and more than captures the time frame and the artist it's spotlighting.