Eugen Jochum (1 November 1902 – 26 March 1987) was an eminent German conductor. He became famous primarily as an interpreter of Anton Bruckner's works. He became the first conductor to perform a complete recording of the nine symphonies of this composer.
The reappearance of this DG set means that once again both of Eugen Jochum’s Bruckner symphony cycles are available at the same price level. The EMI cycle was recorded in 1975-80 with the Dresden Staatskapelle, while DG’s was taped primarily in the 1960s with the Bavarian Radio Symphony and the Berlin Philharmonic. There’s little to choose between the two interpretively, as Jochum pretty much maintained his individualistic approach to Bruckner throughout his career. So, take away the uniquely burnished tones of the Dresden brass and for the most part you’ve got two identical cycles (type Q2340 in Search Reviews for a detailed appraisal of the EMI set, as released by Musical Heritage Society).
In 1926 Eugene Jochum made his successful concert debut as a conductor. He acquired a repertory of over 50 operas and conducted concerts all over Germany. The acknowledgment of his excellence led to his appointment as musical director for Berlin radio. His reputation grew particularly in the field of the German Romantic Symphonies of Beethoven, Brahms and Bruckner and was presented with the Brahms medal by the city of Hamburg.
Naturally, this 14-disc set of live recordings of the Concertgebouw Orchestra from 1970 through 1980 is only for the hardest of hardcore collectors. Who else would be interested in a collection that mixes Beethoven with Boulez, Baird and Berio, Tchaikovsky with Lutoslawski, Ginastera and Caplet, Rachmaninov with Reger, and Martin and Walton? But for the hardest of the hardcore, this set will be filled with delights. Where else could one find Karel Ancerl's suave account of Haydn's "Oxford" Symphony, Eugen Jochum's sweet account of Reger's Serenade in G major, Kiril Kondrashin's thrilling account of Sibelius' En Saga, Elly Ameling's seductive account of Berg's Der Wein, or Paul Badura-Skoda's evocative account of Martin's Second Piano Concerto?
In 2014 Deutsche Grammophon celebrated the 20th anniversary of its flagship series, The Originals, with a limited edition collection featuring some of the labels greatest albums.
This second volume concludes the labels survey of its iconic series by presenting more legendary analogue albums. Including key recordings such as Beethovens Late Sonatas with Pollini, Berliozs Symphonie Fantastique with Markevitch, Brahmss Hungarian Dances with Karajan, Dvoraks New World with Fricsay, Chopin Preludes with Argerich…
In 2014 Deutsche Grammophon celebrated the 20th anniversary of its flagship series, The Originals, with a limited edition collection featuring some of the labels greatest albums.
This second volume concludes the labels survey of its iconic series by presenting more legendary analogue albums. Including key recordings such as Beethovens Late Sonatas with Pollini, Berliozs Symphonie Fantastique with Markevitch, Brahmss Hungarian Dances with Karajan, Dvoraks New World with Fricsay, Chopin Preludes with Argerich, Respighis Fontane & Pini di Roma with Karajan, Schuberts Great C major Symphony with Furtwängler, the Schumann Piano Concerto with Richter and Dichterliebe with Wunderlich, Stravinsky with Boulez, Verdi Choruses with Abbado and many more.
The Anthology of the Royal Concertgebouw Orchestra is a transcription in sound of the concert-giving history of the Concertgebouw Orchestra, based upon radio recordings from the archives of Dutch Radio and Radio Netherlands World Service. Six decades of the 20th century are put under the spotlight in six boxes, each containing 14 CDs. We have chosen not only legendary performances under chief conductors of the KCO but also concerts led by countless guest conductors of both greater and lesser renown.
Wilhelm Kempff's cycle of the Beethoven Piano Concertos with Ferdinand Leitner and the Berlin Philharmonic is one of the great achievements of the golden age of stereo. Kempff had already recorded a magnificent mono cycle in the mid-1950s with the same orchestra under Paul Van Kempen (recently reissued on the box set "Wilhelm Kempff: The Complete 1950s Concerto Recordings" in DG's Original Masters series – see my review), but these new performances maintained his highest playing standards while offering the added dimension of stereo sound.