Beth Hart first teamed up with guitarist Joe Bonamassa in 2011 and the partnership proved to be mutually beneficial. Hart gave the rock-edged Bonamassa some blues bona fides while the guitarist brought the vocalist to a wider audience. Plus, it was evident from their two studio albums and live set that the two had an easy chemistry: They shared a similar vernacular in Chicago blues and classic soul…
In 2016 Joe was causing guitar wonder down under! Featuring tracks from his 2016 performance at one of the world’s most legendary venues. Celebrate this guitar event of the year with some cool merch to make your listening pleasure a whole lot better! For the media merchandise, this new album features four unreleased "live" tracks from his coveted No.1 album Blues of Desperation. August 28, 2019 – Fans and critics alike have been asking the big question of two-time GRAMMY-nominated blues king Joe Bonamassa - “Will there be a new album in 2019?” Today, that question is answered with the announcement of LIVE AT THE SYDNEY OPERA HOUSE, a brand new live album from “arguably the world’s biggest blues guitarist” (Guitar World) featuring recordings from his 2016 performance at one of the world’s most legendary venues. This includes previously unreleased versions of tracks from his coveted No. 1 album BLUES OF DESPERATION.
Twenty years ago, Joe Bonamassa took the music world by storm when he released his debut solo album 'A New Day Yesterday'. Now in 2020, the blues-rock titan announces a revamped version that has been completely re-sung by Bonamassa and remixed and remastered by long-time producer Kevin Shirley. This re-release comes with three bonus tracks, produced and written with Steven Van Zandt, the legendary guitarist from Bruce Springsteen's E-Street Band.
Joe Bonamassa has moved far past his initial incarnation as a kid guitar wiz with a Stevie Ray Vaughan fascination, and has developed into an elegantly reverent guitarist and a fine singer as well, bringing a little R&B blue-eyed soul to the blues. For Different Shades of Blue, Bonamassa co-wrote songs with veteran Nashville songwriters Jeffrey Steele, Gary Nicholson, James House, Jerry Flowers, and Jonathan Cain, then took 11 of the songs and tracked them in Las Vegas at Studio at the Palms with producer Kevin Shirley and a solid band of studio musicians including Reese Wynans (organ, piano), Carmine Rojas (bass), Michael Rhodes (bass), Anton Fig (drums, percussion), Lenny Castro (percussion), Lee Thornburg (trumpet, trombone), Ron Dziubla (saxophone), the Bovaland Orchestra (strings), and background vocalists Doug Henthorn and Melanie Williams.
The title Redemption carries a bit of weight, suggesting Joe Bonamassa is seeking salvation in something – either he's grappling with an inner torment or finding refuge in his music, but these two things aren't mutually exclusive. Certainly, Redemption teems with images of loss and regret, with Bonamassa admitting he suffered "Self-Inflicted Wounds" that left him to "Pick Up the Pieces" before he finally realizes "I've Got Some Mind Over What Matters" and discovers he's "Stronger Now in Broken Places." All those songs arrive in that chronological order, suggesting Redemption is something of a song cycle, but Bonamassa's thematic control isn't what's impressive about the album.
Joe Bonamassa has moved far past his initial incarnation as a kid guitar wiz with a Stevie Ray Vaughan fascination, and has developed into an elegantly reverent guitarist and a fine singer as well, bringing a little R&B blue-eyed soul to the blues…
The title Redemption carries a bit of weight, suggesting Joe Bonamassa is seeking salvation in something – either he's grappling with an inner torment or finding refuge in his music, but these two things aren't mutually exclusive…