Is this still young but nearly legendary hipster, who almost singlehandedly rekindled jazz's interest in the Hammond B-3 organ, going to the dogs? The folks at Concord Records hope so, sending out a doggie biscuit with their press materials as DeFrancesco gives one of his favorite East Coast jazz singers, Joe Doggs, a prominent spotlight. Doggs' soulful vocals (praised in the liner notes by Quincy Jones and very reminiscent of the passionate Jimmy Scott experience) and fresh, expansive arrangements are at the cool, swinging heart of the collection's 11 cherished standards. Between vocal passages, the organ great also continues his long tradition of working with top trad jazz names like Pat Martino, tenorman Red Holloway, drummer Jeff Hamilton (complementing DeFrancesco's core trio member Byron Landham), and Kevin Eubanks…
Van Morrison's late career tear continues with You're Driving Me Crazy, his third album in seven months. Following the formula of 2017's Roll with the Punches and Versatile - each offered jazz, blues and R&B standards and redone originals - this set offers eight tracks from Morrison's catalog and seven standards. it stands on its own, however, as a collaborative encounter with jazz organist and trumpeter Joey DeFrancesco's hip quartet. They all holed up in a Sausalito studio and completed the recording in only two days, capturing everything in a take or two.
The loose feel is deceptive as the playing is anchored deep in the pocket; it crackles with live-wire intensity. Cole Porter's "Miss Otis Regrets" is framed by a gentle swing, with DeFrancesco's organ and Troy Roberts' smoky tenor saxophone introducing Morrison…
Van Morrison's late career tear continues with You're Driving Me Crazy, his third album in seven months. Following the formula of 2017's Roll with the Punches and Versatile - each offered jazz, blues and R&B standards and redone originals - this set offers eight tracks from Morrison's catalog and seven standards. it stands on its own, however, as a collaborative encounter with jazz organist and trumpeter Joey DeFrancesco's hip quartet. They all holed up in a Sausalito studio and completed the recording in only two days, capturing everything in a take or two.
The loose feel is deceptive as the playing is anchored deep in the pocket; it crackles with live-wire intensity. Cole Porter's "Miss Otis Regrets" is framed by a gentle swing, with DeFrancesco's organ and Troy Roberts' smoky tenor saxophone introducing Morrison…
On his second recording, organist Joey DeFrancesco is heard in settings ranging from a quartet to a large orchestra. Although he is generally the main star, DeFrancesco welcomes such guests as tenors Illinois Jacquet and Kirk Whalum (heard on two songs apiece, including both jamming on "Red Top") and guitarist John Scofield. DeFrancesco holds his own and is in top form on such selections as "Teach Me Tonight," "Where Were You," "But Not for Me," and "Love Attack."
Jack McDuff and Joey DeFrancesco personify the Jazz Organ Renaissance that is sweeping the world in this incredible recording for Concord. Organists have paired up before in recording studios but never in such a historical effort. Unlike Jack and Joey’s last double organ session which was live, this recording offered more artistic control. Concord wisely permitted Jack to put together the charts and gave Joey the bass duties to lessen the load. This album was recorded in New York City, NY, on December 11 & 12, 1995.
Van Morrison's late career tear continues with You're Driving Me Crazy, his third album in seven months. Following the formula of 2017's Roll with the Punches and Versatile – each offered jazz, blues and R&B standards and redone originals – this set offers eight tracks from Morrison's catalog and seven standards. it stands on its own, however, as a collaborative encounter with jazz organist and trumpeter Joey DeFrancesco's hip quartet. They all holed up in a Sausalito studio and completed the recording in only two days, capturing everything in a take or two.
Organist Joey DeFrancesco had an opportunity on his fourth Columbia project to mostly perform with his own group, a trio consisting of guitarist Paul Bollenback and drummer Byron Landham. Among the guests on a few selections are trumpeter Jim Henry, tenor saxophonist Tony Malaby and, on "Family Jam," guitarist Johnny DeFrancesco (Joey's brother) and organist John DeFrancesco (their father). Special treats are Joey DeFrancesco's effective trumpet solos on four of the 14 selections; highlights overall include "Sister Sadie," "Big Bad Jim," "Evidence" and "Bye Bye Blackbird."
The organ trio is one of the most time-tested aggregations in jazz, and the men who form said grouping on Wonderful! Wonderful! are three of the most treasured musicians to ever play their instruments. Organ giant Joey DeFrancesco, guitar hero Larry Coryell and swinging drum stalwart Jimmy Cobb all set the bar impossibly high on their respective axes and now, they're joining forces on the organist's tenth album for the HighNote label.
This fairly early effort by organist Joey DeFrancesco features him displaying a great deal of energy on a variety of standards and basic originals. DeFrancesco swings hard throughout, mostly featuring his regular trio (with guitarist Paul Bollenback and drummer Byron Landham) and such fine (but little-known) players as tenor saxophonist Glenn Guidone, altoist Robert Landham, and trumpeter J.R. Henry. Joey's father, John DeFrancesco, makes a guest appearance on second organ on "Gut Bucket Blues." The music is quite enjoyable and easily recommended for fans of Jimmy Smith-style organ playing.