By the time this was released in 2001, John Mayall was more known for the people who played in his seminal British band, the Bluesbreakers rather than his own accomplishments. The success of 1999's Padlock on the Blues afforded Mayall the opportunity to fulfill his dreams and gather an all-star lineup of blues and rock luminaries…
John Mayall's debut album, recorded live in December 1964, is a little unjustly overlooked, as it was recorded shortly before the first of the famous guitarists schooled in the Bluesbreakers (Eric Clapton) joined the band. With Roger Dean on guitar (and the rhythm section who'd play on the Bluesbreakers with Eric Clapton album, bassist John McVie and drummer Hughie Flint), it has more of a rock/R&B feel, rather like the early Rolling Stones, than the purer bluesier material Mayall would usually stick to in his subsequent recordings…
A live DVD featuring the Godfather of Blues, John Mayall, here backed by fine musicians like Coco Montoya and the extraordinary Walter Trout.
As the elder statesman of British blues, it is John Mayall's lot to be more renowned as a bandleader and mentor than as a performer in his own right. Throughout the '60s, his band, the Bluesbreakers, acted as a finishing school for the leading British blues-rock musicians of the era. Guitarists Eric Clapton, Peter Green, and Mick Taylor joined his band in a remarkable succession in the mid-'60s, honing their chops with Mayall before going on to join Cream, Fleetwood Mac, and the Rolling Stones, respectively.
Three for the Road, the new album from iconic musician and Blues Hall of Fame member John Mayall, features cuts drawn from two exuberant concerts recorded live in Germany in 2017. The title is a nod to the trio format featured on Mayall's 2017 world tour, which includes long time bassist Greg Rzab and drummer Jay Davenport. The new record, produced by Eric Corne and John Mayall and mixed by Corne includes a mix of songs from both recent and classic John Mayall/Bluesbreakers releases, and represents the sixth offering from the fruitful partnership between Mayall and Forty Below Records.
The Godfater of British Blues" features contributions from Mayall, his family, fellow musicians, colleagues, and friends in interviews and performances. Rare archive film from all periods of his life marks his achievements and some of the events that formed them. "The Turning Point" is the earliest rockumentary of Mayall and his musicians filmed in their homes, dressing rooms, motorways, airports, clubs, concert halls, and at festivals. In 1969, Mayall was changing the emphasis of his band away from the "electric circus" of lead guitar and drums to a more gentler approach without drums and acoustic guitar, flutes, and saxophones.
John Mayall's debut album, recorded live in December 1964, is a little unjustly overlooked, as it was recorded shortly before the first of the famous guitarists schooled in the Bluesbreakers (Eric Clapton) joined the band. With Roger Dean on guitar (and the rhythm section who'd play on the Bluesbreakers with Eric Clapton album, bassist John McVie and drummer Hughie Flint), it has more of a rock/R&B feel, rather like the early Rolling Stones, than the purer bluesier material Mayall would usually stick to in his subsequent recordings. The record doesn't suffer for this, however, moving along quite powerfully, and - unusually for a British R&B/blues band of the time - featuring almost nothing but original material, all penned by Mayall. Nigel Stanger's saxophone adds interesting touches to a few tracks, the songs are quite good…