John Adams

Robert McDuffie, Christoph Eschenbach, Houston Symphony – John Adams & Philip Glass: Violin Concertos (1999)

Robert McDuffie, Christoph Eschenbach, Houston Symphony – John Adams & Philip Glass: Violin Concertos (1999)
EAC | FLAC | Image (Cue & Log) ~ 276 Mb | Total time: 59:57 | Scans included
Classical | Label: Telarc | # CD-80494 | Recorded: 1998

Leave it to Christoph Eschenbach and the Houston Symphony to deliver one of the more impressive classical discs of 1999: a pairing of the violin concertos of John Adams and Philip Glass. Hearing the works of these two American music mavericks side-by-side is a study in contrasts: Adams's postmodernist composition from 1993 is filled with spooky overtones, as the violin threads its way through the piece, always at the forefront. It doubles as a ballet (the NYC Ballet cocommissioned the piece), yet never forgets the traditional violin-concerto form. Glass's composition from the late '80s is less complex. It, too, is based around a traditional structure of three movements, but these are passages we've heard from the composer for the last decade, though never quite so well assembled.
Alarm Will Sound, Alan Pierson - Meet The Composer: Splitting John Adams (2017)

Meet The Composer: Splitting Adams (2017)
Alarm Will Sound; Alan Pierson (narrator & conductor)
Nadia Sirota (narrator), John Adams (narrator), Walter Frisch (narrator)

EAC | FLAC | Image (Cue&Log) ~ 356 Mb | Mp3 (CBR320) ~ 196 Mb | Scans included
Classical, Contemporary | Label: Cantaloupe | # CA21128 | Time: 01:16:27

Conceived and realized in partnership with Q2 Music’s Peabody award-winning podcast Meet the Composer, Splitting Adams is Alarm Will Sound’s tribute to American composer John Adams, and in particular to his works Chamber Symphony (1992) and Son of Chamber Symphony (2007). Presented with commentary tracks from MTC’s host Nadia Sirota, Alarm Will Sound’s artistic director Alan Pierson, and the composer himself, the podcast-plus-performance conveys a rare sense of interaction for the listener; not only does the music, rendered in all its lush detail by the 17 musicians in AWS, capture and connect the long trajectory between the two works, but the commentary also shines a revealing light on the story behind the music.
John Adams, London Sinfonietta - John Adams: Chamber Symphony / Grand Pianola Music (1994)

John Adams, London Sinfonietta - John Adams: Chamber Symphony / Grand Pianola Music (1994)
WEB | FLAC (tracks) - 258 MB | 52:30
Genre: Classical | Label: Nonesuch

Not only is the piece amazing! (of course) but the performance is incredible! The London Sinfonietta plays with remarkable virtuosity and STYLE! As a musician having listened and seen the score, I know this piece is extremely difficult, and they play with wonderful competence and character. Aside from the fantastic playing, the piece is a real ear opener for fans of Adams. The majority of his music (or, that which is being recorded) are large orchestral works. Large orchestras, lots of soloists, etc. Wonderful stuff, if you haven't heard Harmonium yet, go listen. .
Christina & Michelle Naughton - Visions: Olivier Messiaen, J.S. Bach, John Adams (2016)

Christina & Michelle Naughton - Visions: Olivier Messiaen, J.S. Bach, John Adams (2016)
EAC | FLAC | Image (Cue&Log) ~ 201 Mb | Mp3 (CBR320) ~ 157 Mb | Scans included
Genre: Classical | Label: Warner Classics | # 0825646011360 | Time: 01:01:36

Their Warner Classics debut makes clear that Christina & Michelle Naughton show great imagination in their programming: Messiaen's mystical and epic Visions de l'Amen, composed during World War II, appears alongside John Adams' boisterous and percussive Hallelujah Junction, inspired by a truck stop on the border of Nevada and California. The CD is completed with J.S. Bach's serenely moving Gotttes Zeit ist die allerbeste Zeit, BWV 106, in an arrangement by the contemporary Hungarian composer Gyorgy Kurtag.
Leila Josefowicz, St. Louis Symphony, David Robertson - John Adams: Violin Concerto (2018)

Leila Josefowicz, St. Louis Symphony, David Robertson - John Adams: Violin Concerto (2018)
EAC | FLAC (image+.cue, log) | Covers Included | 33:08 | 194 MB
Genre: Classical | Label: Nonesuch Records | Catalog: 7559-79351-O

Composed in 1993, the John Adams Violin Concerto is already a contemporary classic. Some reviewers say it is the best violin concerto written in the past 50 years. This new recording by Leila Josefowicz is the last word on what are now many recordings by some of the world's finest players. She first recorded the Violin Concerto in 2002 with John Adams, the composer, conducting. What makes this new recording the best? Josefowicz "owns" the piece having performed it in concert over 100 times since the premiere!
Emanuel Ax, Christoph von Dohnányi, Kent Nagano - John Adams: Century Rolls (2000)

Emanuel Ax, Christoph von Dohnányi, Kent Nagano - John Adams: Century Rolls (2000)
EAC | FLAC (image+.cue, log) | Covers Included | 49:25 | 242 MB
Genre: Classical | Label: Nonesuch | Catalog: 7559796072

Of all the so-called minimalists working today, John Adams is the only one with any good ideas left. Witness this delightful release. The key to Adams's creativity is that he isn't bound by theoretical constraints on what "minimalism" should be. Century Rolls (1995) is a commission by Emanuel Ax, and it was inspired by the composer's listening to a CD recording of an ancient player piano.
Lawrence Renes, Netherlands Philharmonic Orchestra - John Adams: Doctor Atomic (2008)

Lawrence Renes, Netherlands Philharmonic Orchestra - John Adams: Doctor Atomic (2008)
NTSC 16:9 (720x480) | English (LinearPCM, 2 ch) | (DTS, 6 ch) | 5.84 Gb+7.73 Gb (2xDVD9) | 230 min
Classical | Opus Arte | Sub: English, Deutsch, Francais, Espanol, Italiano, Nederlands

The longing to overcome human boundaries led the physicist J. Robert Oppenheimer to begin an experiment that formed a threat to the whole of humanity, and whose scientific results still do today. The question of the moral implications of the atomic bomb is raised in John Adams’ opera, just as much as that of the influence on the private lives of the main characters. Doctor Atomic is the fifth work to result from almost twenty years of collaboration between the American composer and his fellow American director and Erasmus Prize-winner Peter Sellars.
Robert Shaw, Atlanta Symphony Orchestra & Chorus - Adams: Harmonium; Rachmaninov: The Bells (1996)

Robert Shaw, Atlanta Symphony Orchestra & Chorus - Adams: Harmonium; Rachmaninov: The Bells (1996)
EAC | FLAC | Image (Cue & Log) ~ 299 Mb | Total time: 73:52 | Scans included
Classical | Label: Telarc | # CD-80365 | Recorded: 1995

Robert Shaw and Telarc have released another disk of not-too-often performed choral/orchestral works, but they are ones that are important: John Adams' Harmonium and Rachmaninoff's The Bells, two works featuring texts by important authors.
Marin Alsop,  ORF Vienna Radio Symphony Orchestra - Adams: City Noir; Fearful Symmetries (2024)

Marin Alsop, ORF Vienna Radio Symphony Orchestra - Adams: City Noir; Fearful Symmetries (2024)
EAC | FLAC | Image (Cue & Log) ~ 339 Mb | Total time: 69:09 | Scans included
Classical | Label: Naxos | # 8.559935 | Recorded: 2022

John Adams’ music has long since captured the admiration of listeners for its inimitable American qualities. City Noir was inspired by the cultural and social history of Los Angeles, with Adams calling it ‘an imaginary film score’ in its evocation of a terse, melodramatic and menace-drenched sound world. Fearful Symmetries exemplifies Adams’ steamroller motor rhythms, endlessly inventive in their shifts of timbre, texture and color. The album ends with a work dedicated to Marin Alsop, a capricious “Spider Dance” of memorable rhythmic drive.
Marin Alsop,  ORF Vienna Radio Symphony Orchestra - Adams: City Noir; Fearful Symmetries (2024)

Marin Alsop, ORF Vienna Radio Symphony Orchestra - Adams: City Noir; Fearful Symmetries (2024)
EAC | FLAC | Image (Cue & Log) ~ 339 Mb | Total time: 69:09 | Scans included
Classical | Label: Naxos | # 8.559935 | Recorded: 2022

John Adams’ music has long since captured the admiration of listeners for its inimitable American qualities. City Noir was inspired by the cultural and social history of Los Angeles, with Adams calling it ‘an imaginary film score’ in its evocation of a terse, melodramatic and menace-drenched sound world. Fearful Symmetries exemplifies Adams’ steamroller motor rhythms, endlessly inventive in their shifts of timbre, texture and color. The album ends with a work dedicated to Marin Alsop, a capricious “Spider Dance” of memorable rhythmic drive.