John Cage The Seasons

Individually, Kronos Quartet and Sun Ra are two of the most groundbreaking names in contemporary music. The former is the legendary San Francisco-based string quartet that laid a blueprint for what concert music could become, working with the likes of John Cage, Tanya Tagaq, and Astor Piazzolla. The latter was a singular jazz and avant-garde bandleader, as well as a philosopher and poet, who honed an extraordinary strain of cosmic experimental music from the 1950s until his ascension in 1993. As a capstone to Kronos Quartet’s 50th anniversary, the group has joined forces with the Red Hot Organization for the new album Outer Spaceways Incorporated: Kronos Quartet & Friends Meet Sun Ra. It’s stacked with some of the most innovative artists active today — everyone from multidimensional electronic musician Jlin, to Moor Mother and DJ Haram’s radical noise / rap project 700 Bliss, to abstract hip hop luminaries Armand Hammer, to avant-garde hero Laurie Anderson, to minimalist pioneer Terry Riley.

The first Japanese composer to achieve international status, Tōru Takemitsu proposed a fusion between Western music and the culture of his country. His music radiates a lyrical intensity that comes as much from his roots in the early modernists Debussy and Alban Berg as from his affinity with the more overtly experimental mid-twentieth-century styles of John Cage and Morton Feldman. Played throughout the world, he is considered one of the most important composers of the second half of the 20th century.

Astor Piazzolla’s Nuevo tango transcends categories and represents an amalgam of international influences. All the arrangements in this album are of instrumental works that Piazzolla composed for his Quinteto Nuevo Tango. Most prominent is the Vivaldi-inspired Las cuatro estaciones porteñas (‘The Four Seasons of Buenos Aires’) reimagined in concerto style for solo violin and string orchestra by Leonid Desyatnikov. The seven other companion pieces, arranged by Ken Selden, use printed sources for structure but incorporate improvisations transcribed from original recordings made by Piazzolla and his band. On this, his third Piazzolla album for Naxos, internationally recognised violinist Tomás Cotik pays homage to his birth city of Buenos Aires.