John Cage Edition

During the last few years of his life, John Cage wrote many pieces in the same general vein as Five3. They are often referred to as "the number pieces." This references the titles of the pieces, which are all simply the number of the performers. Superscripts are added as necessary to distinguish the individual pieces (this is the third quintet, for example).
These works are also called "the time-bracket pieces," a reference to the notation of the pieces.

The 35th volume in Mode's Complete John Cage Edition is also the second release in Ulrich Krieger's series of interpretations for solo saxophone and saxophones with other instruments. Ensemble pieces of comparatively large dimensions were gathered on A Cage of Saxophones: Vol. 1, so this follow-up disc presents pieces for smaller combinations and solos, though with no less originality or charm.

John Cage - Early Music - Edwin Alexander Buchholz, Joanna Becker (2007) {Edition Wandelweiser Records ‎EWR 0711}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 268 Mb | MP3 @320 -> 117 Mb
Full Artwork @ 300 dpi (png) -> 10 Mb | 5% repair rar
© 2007 Edition Wandelweiser Records | ‎EWR 0711
Classical / Avant-Garde / Modern Classical / Minimalism

An enchanting suite of ‘Early Music’ composed by John Cage and performed by Edwin Alexander Buchholz (accordion) and Joanna Becker (violin), including: ‘Dream’ [1948]; ‘In A Landscape’ [1948]; ‘Six Melodies’ [1950]; and ‘Souvenir’ [1983]. Serving to upend preconceptions of Cage being more valued for his concepts than his music, this set holds some truly magickal sound organisation that requires no prior knowledge of the artist or his ideas in order for it to be enjoyed.

John Cage & Marcel Duchamp - Reunion (1968) {LP Takeyoshi Miyazawa} (Released on VINYL but not CD)
FLAC (tracks) - 16bit/44.1kHz - VINYL RIP -> 57 Mb | MP3 @320 -> 38 Mb
Complete Art Book @ 600 dpi (jpg) -> 808 Mb | 5% repair rar
© 1968 Takeyoshi Miyazawa | [none]
Electronic / Non-Music / Fluxus / Avant-Garde / Spoken Word

The year 2008 marked the fortieth anniversary of Reunion, a performance in which games of chess determined the form and acoustical ambience of a musical event. The concert – held at the Ryerson Theatre in Toronto, Canada – began shortly after 8:30 on the evening of March 5, 1968, and concluded at approximately 1:00 a.m. the next morning. Principal players were John Cage, who conceived (but did not actually “compose”) the work; Marcel Duchamp and his wife Alexina (Teeny); and composers David Behrman, Gordon Mumma, David Tudor, and Lowell Cross. Except for a brief curtain call with Merce Cunningham and Dance Company in Buffalo, NY five days later (March 10, 1968), Duchamp made his last public stage appearance – in the role of chess master – in Reunion.

Forty-fifth anniversary box set release from The Velvet Underground & Nico featuring the latest remastering. Set consists of 6 discs includes 29 unreleased tracks in a 92-page hardcover book packaging with a sticker of banana. Japanese edition features the high-fidelity SHM-CD format (compatible with standard CD player). The set includes both stereo and mono versions of the album "The Velvet Underground & Nico" (Disc 1-2), as well as Nico's 1967 solo debut CD "Chelsea Girl" (Disc 3), a studio session at Scepter Studio recorded to acetate, and unreleased recording footage from rehearsal at Andy Warhol's Factory in January 1966 (Disc 4), and a live show from Columbus, Ohio (Disc 5-6).

By 1976, the immense creativity that had spurred Elton John to record 11 studio albums in under seven years was beginning to show signs of inevitable fatigue. Although initially Blue Moves was summarily dismissed by both critics as well as longtime enthusiasts, the double LP has since gained considerable stature within John's voluminous catalog. While comparisons were inevitable to the landmark two-disc Goodbye Yellow Brick Road song cycle from 1973, most similarities in musical style and content end there.