John Coltrane A Love Supreme Platinum Shm CD

A rare private recording of John Coltrane playing his iconic work A Love Supreme is getting released for the first time. A Love Supreme: Live in Seattle arrives October 8 (via Impulse!/UMe). The set was captured by saxophonist and educator Joe Brazil in 1965 on the final night of Coltrane’s weeklong stint at the Penthouse in Seattle. The lineup featured legendary musicians Pharoah Sanders, McCoy Tyner, Elvin Jones, Jimmy Garrison, and more.

One of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing, that at once compiled all of the innovations from his past, spoke to the current of deep spirituality that liberated him from addictions to drugs and alcohol, and glimpsed at the future innovations of his final two and a half years. Recorded over two days in December 1964, Trane's classic quartet–Elvin Jones, McCoy Tyner, and Jimmy Garrison– stepped into the studio and created one of the most the most thought-provoking, concise, and technically pleasing albums of their bountiful relationship. From the undulatory (and classic) bassline at the intro to the last breathy notes, Trane is at the peak of his logical and emotionally varied soloing, while the rest of the group is completely atttuned to his spiritual vibe.

John Coltrane - A Love Supreme: The Complete Masters - Super Deluxe Edition (2015) {3CD Impulse! B0023727-02 rec 1964}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 810 Mb | MP3 @320 -> 381 Mb
Full Artwork @ 600 dpi (png) -> 1.07 Gb | 5% repair rar
© 1964, 2015 Impulse! / Verve / Universal | B0023727-02
Jazz / Modal Music / Avant-Garde Jazz / Free Jazz / Post Bop / Saxophone

For many a jazz fan John Coltrane's A Love Supreme is their personal desert island pick, the one recording they would not hesitate to live their days out listening to. Recorded on December 9, 1964, the session has endured as a document of the saxophonist's faith, as it was the proclamation of his rebirth from the jazz life of alcohol and substance abuse.

John Coltrane - A Love Supreme (1964) {Impulse! Japan, 32XD-595, Early Press}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 199 Mb | MP3 @320 -> 78 Mb
Full Artwork @ 600 dpi (png) -> 137 Mb | 5% repair rar
© 1964, 1987 Impulse! / MCA Records / Warner-Pioneer Japan | 32XD-595
Jazz / Free Jazz / Post Bop / Avant-Garde Jazz / Modal Music / Saxophone

Maybe one of the greatest jazz albums of all time – a real breakthrough moment for the legendary John Coltrane, and the blueprint for generations of jazz records to come! Trane was already breaking down plenty of boundaries before Love Supreme – but he knocked it out of the park for the album – which is a full-length suite of spiritual expression, one that gives even greater focus and message to Coltrane's long-spiralling style of soloing on the tenor sax!

John Coltrane - A Love Supreme - Live In Antibes, France (1965) {Wotre Music FCD 106 rel 1987}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 335 Mb | MP3 @320 -> 164 Mb
Full Artwork @ 600 dpi (png) -> 80 Mb | 5% repair rar
© 1965, 1987 Wotre Music | FCD 106
Jazz / Avant-Garde Jazz / Free Jazz / Modal Music / Post-Bop / Tenor Saxophone

By the time of the Antibes Jazz Festival in mid-1965, A Love Supreme was years from general recognition as a masteripiece. A French musician and record company executive, Jeff Gilson, had heard an advance copy and asked Coltrane to play the piece. Radio France broadcast the concert and recorded it. this is that performance of all four parts believed to be the only time the quartet played it for a live audience.

John Coltrane - A Love Supreme (1964) {Impulse!-Verve Originals 0602517649033 rel 2008}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 223 Mb | MP3 @320 -> 78 Mb
Full Artwork @ 600 dpi (png) -> 192 Mb | 5% repair rar
© 1964, 2008 Impulse! / Verve / UMG | Verve Originals Series | 0602517649033 | LP AS-77
Jazz / Modal Music / Avant-Garde Jazz / Free Jazz / Post Bop / Saxophone

One of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing, that at once compiled all of the innovations from his past, spoke to the current of deep spirituality that liberated him from addictions to drugs and alcohol, and glimpsed at the future innovations of his final two and a half years. Recorded over two days in December 1964, Trane's classic quartet–Elvin Jones, McCoy Tyner, and Jimmy Garrison– stepped into the studio and created one of the most the most thought-provoking, concise, and technically pleasing albums of their bountiful relationship.