In January of 2006, the remains of Joyce Carol Vincent, aged 38, were discovered in her London flat. She died in her apartment in late 2003, surrounded by undelivered Christmas presents. She was described as outgoing, attractive, and ambitious by neighbors, friends, and family, but somehow wasn't missed. This chilling story made headlines in Great Britain, and the mysterious person behind it moved Steven Wilson to create this fictional concept album (small "c"). He doesn't adhere to story's grim details. Instead he writes from the perspective of a living woman who is, due to choice, circumstance, or both, alone and ultimately unknowable. Engineered by Steve Orchard, and produced and mixed by Wilson, the album is sonically rich and detailed. It's an immense, imaginative landscape that melds classic album rock, sophisticated '80s pop, metal, prog, and electronica in expertly crafted songs…
In January of 2006, the remains of Joyce Carol Vincent, aged 38, were discovered in her London flat. She died in her apartment in late 2003, surrounded by undelivered Christmas presents. She was described as outgoing, attractive, and ambitious by neighbors, friends, and family, but somehow wasn't missed. This chilling story made headlines in Great Britain, and the mysterious person behind it moved Steven Wilson to create this fictional concept album (small "c"). He doesn't adhere to story's grim details. Instead he writes from the perspective of a living woman who is, due to choice, circumstance, or both, alone and ultimately unknowable. Engineered by Steve Orchard, and produced and mixed by Wilson, the album is sonically rich and detailed. It's an immense, imaginative landscape that melds classic album rock, sophisticated '80s pop, metal, prog, and electronica in expertly crafted songs…
As modern progressive rock’s undisputed figurehead and chief workaholic, Steven Wilson has little to prove, and yet his fourth solo album is anything but a cosy reassertion of values. In contrast to his much-lauded Victorian ghost-stories set The Raven that Refused to Sing from 2013, Hand. Cannot. Erase. is an album rooted in sonic and spiritual modernity, largely eschewing early prog tropes in favour of an inventive blend of bleak and brooding industrial soundscapes and rugged, muscular ensemble performances from Wilson’s virtuoso henchmen.
Steven Wilson's 4½ is a six-track (+ bonus track for Japan) stopgap mini album between 2015's Hand. Cannot. Erase. and whatever full-length comes next. Four tunes have origins in the previous album's sessions; another dates back to those from 2013's The Raven That Refused to Sing and Other Stories. There is also a re-recording of "Don't Hate Me" that first appeared on Porcupine Tree's 1998 offering, Stupid Dream. The players are by now familiar: Wilson's current working band comprises Guthrie Govan, Adam Holzman, Nick Beggs, Dave Kilminster, Craig Blundell, Marco Minnemann, Chad Wackerman, and Theo Travis. Opener "My Book of Regrets" is a nine-plus-minute exercise that commences with a seductive pop melody, and offers a hooky chorus and syncopated dynamics. It evolves into spiraling prog rock courtesy of Beggs' front-line Chris Squire-esque bassline, fueling Govan and Wilson's spiky…