John Gardner

The debut album by one of Britain's lesser-starred supergroup is a markedly different beast than fans of their former bands, the Remo Four and Creation, might have expected. Heavily influenced by the trio's shared love for jazz-rock, its nine songs are moods as much as music, only occasionally stepping out into something instantly recognizable – distinctive covers of the Bee Gees' "New York Mining Disaster 1941" and Mose Allison's "Young Man Blues" are highlights. But the album peaks with its closing track, "As It Was in the First Place" a lengthy Ashton adaptation from the classical "Adagio from Concierto de Aranjuez."

The debut album by one of Britain's lesser-starred supergroup is a markedly different beast than fans of their former bands, the Remo Four and Creation, might have expected. Heavily influenced by the trio's shared love for jazz-rock, its nine songs are moods as much as music, only occasionally stepping out into something instantly recognizable – distinctive covers of the Bee Gees' "New York Mining Disaster 1941" and Mose Allison's "Young Man Blues" are highlights. But the album peaks with its closing track, "As It Was in the First Place" a lengthy Ashton adaptation from the classical "Adagio from Concierto de Aranjuez."

Originally released in 2001 on Cannonball Records, this album contains 12 'blues flavored' songs. John Kay, leader of one of rock's most venerable bands, Steppenwolf, has returned to the folk/blues roots of his troubador days with the release of his fourth solo recording "Heretics and Privateers". The musical subtlety and emotional depth of the albums 12 composistions feature provacative lyrics which offer a gritty view of contemporary life, surveying the human toll of institutional callousness with unflinching clarity. Kay's lyrics aren't the gripes of a chronic malcontect but the deeply felt observations of a first-generation American whose appreciation of his adopted country's promise and potential is balanced by an awareness of it's lapses…

Following outstanding reviews for his interpretation of Duke Bluebeard around the world, notably at the Paris Opéra and then in Philadelphia and New York with Michelle DeYoung, John Relyea stars in the first studio SACD Surround Sound recording of Bartók’s psychological thriller.

James Bond 007 est l'un des personnages les plus connus des amateurs de romans et de films d'espionnages. Avec plus de vingt films portés à l'écran, l'agent secret britanique s'est construit une réputation et une renommée internationale rarement égalée. Raison de ce succès ? Un savant cocktail de courses-poursuites, de cascades, d'explosions, de créatures de rêve, d'ennemis impitoyables, de gadgets et de flegme britannique. …