Written, recorded and released January 1970, in a span of just ten days, Instant Karma! was to become one of John Lennon’s most popular singles, reaching #5 in the UK and #2 in the US. Featuring George Harrison alongside bassist Klaus Voormann, drummer Alan White and keyboardist Billy Preston, it marked the first time any Beatle collaborated with legendary producer Phil Spector, who later that year worked on the band’s final album (Let It Be) and solo albums from John and George. Newly mixed audio.
At the time of its release, Shaved Fish didn't attract as much attention as any compilation of John Lennon's work would have either a few years before or a few years after. Lennon had just issued the somewhat disappointing genre album, Rock 'n' Roll, and was only a year from Walls and Bridges, not one of his strongest albums, and had also grown somewhat stale as a public figure…
When Imagine was released in September 1971, John Lennon finally gave Beatles fans the album they wanted. His first three solo records were recorded and released while the group was still around, but they were experimental noise collages constructed with Yoko Ono that had nothing to do with the Beatles' music (unless you consider "Revolution 9" representative of their work). And 1970's post-breakup John Lennon/Plastic Ono Band, as great as it is, was a little too abrasive for folks who still had "Let It Be" and "The Long and Winding Road" ringing in their ears.
Lennon Legend was released in the fall of 1997 in England to replace the deleted John Lennon Collection, and the 20-track collection is remarkably similar to its predecessor, replicating a full 16 tracks and deleting the relatively nonessential "I'm Losing You," "Dear Yoko," and "Move Over Ms. L" in favor of "Borrowed Time," "Mother," "Nobody Told Me," and "Working Class Hero."…
The first album co-billed to John Lennon and Yoko Ono to actually contain recognizable pop music, Some Time in New York City found the Lennons in an explicitly political phase…
After the harrowing Plastic Ono Band, John Lennon returned to calmer, more conventional territory with Imagine. While the album had a softer surface, it was only marginally less confessional than its predecessor. Underneath the sweet strings of "Jealous Guy" lies a broken and scared man, the jaunty "Crippled Inside" is a mocking assault at an acquaintance, and "Imagine" is a paean for peace in a world with no gods, possessions, or classes, where everyone is equal…
After the harrowing Plastic Ono Band, John Lennon returned to calmer, more conventional territory with Imagine. While the album had a softer surface, it was only marginally less confessional than its predecessor. Underneath the sweet strings of "Jealous Guy" lies a broken and scared man, the jaunty "Crippled Inside" is a mocking assault at an acquaintance, and "Imagine" is a paean for peace in a world with no gods, possessions, or classes, where everyone is equal…
After the harrowing Plastic Ono Band, John Lennon returned to calmer, more conventional territory with Imagine. While the album had a softer surface, it was only marginally less confessional than its predecessor…