John Lennon 2010

Released as part of Apple/EMI’s extensive 2010 John Lennon remasters series, the single-disc Power to the People: The Hits covers familiar territory, but then again, that’s the point of this collection. It’s not designed to dig deep into John's catalog, it’s designed as the latest iteration of the canon, replacing 1997’s Lennon Legend, the last big-budget single-disc compilation. Power to the People is five cuts shorter than Lennon Legend, ditching album cuts “Love” and “Borrowed Time,” swapping the charting singles, “Mother” and “Nobody Told Me,” for the non-charting “Gimme Some Truth” and the actual number 18 hit “Mind Games,” but the end result is the same: Power to the People feels interchangeable with its predecessors because it is another collection with “Imagine,” “Instant Karma,” “Whatever Gets You Through the Night,” “Jealous Guy,” “(Just Like) Starting Over,” “Watching the Wheels,” “Stand by Me,” “#9 Dream,” “Give Peace a Chance,” “Power to the People,” and “Happy Xmas (War Is Over).” The remasters are excellent so if you are in need of a tight Lennon comp this is a good choice but if you already have a hits collection, there’s no reason to replace it.

The crown jewel in Apple/EMI’s extensive 2010 John Lennon remasters series, Signature Box contains all of the solo studio albums Lennon released during his lifetime (minus the trio of experimental duet LPs with Yoko Ono released on Apple and Zapple), his first posthumous album Milk and Honey, a disc of non-LP singles, a disc of home demos, but not the 2010 showcase item Double Fantasy Stripped Down, which is available only as a bonus on the indvidual reissue of Double Fantasy…

The one unreleased item among Apple/EMI's exhaustive 2010 John Lennon reissue campaign was Double Fantasy Stripped Down, a revision of the original 1980 album supervised by Yoko Ono and producer Jack Douglas. The intent of this new mix is to give the recording a greater sense of intimacy, but Double Fantasy isn’t Let It Be: it doesn’t have a heavily bootlegged original early incarnation, it only exists in its final form; it’s not an album that was designed as a raw back-to-basics record, it was constructed as a slick studio affair…

John Lennon’s birthday today, October 9, is marked by the release of a new deluxe and expanded version of Imagine (The Ultimate Collection). The set is now available to stream and download, and features the entire full-length collection of tracks, some of which have previously only been available on Blu-Ray, in Hi-Res Stereo and Spatial Audio/Dolby Atmos. Yoko Ono Lennon and Sean Ono Lennon have sent a note to Lennon’s legions of fans worldwide to explain that each set of mixes from the compilation – Ultimate, Elements, Evolution, Raw Studio and Out-Takes – has been released as a separate album. This allows his songs to be enjoyed in the way that was originally intended, curated by Yoko Ono Lennon, rather than release all 78 tracks from the themed retrospective in one vast playlist.

This collection from Universal's popular Icon series features 11 of the former Beatle's most well-known solo tracks. Beginning appropriately with "Imagine," the set touches on Lennon's '70s highlights like "Instant Karma! (We All Shine On)," "Mind Games," and his enduring singalong single "Give Peace a Chance." Any serious Lennon fan will already have these catalog basics, but the Icon series offers up a very solid highlight reel at a budget price.

Mind Games was meant to be a return to form for John Lennon, after an instantly dated protest album that felt didactic and cold. He seemed to be back on track with its opening Top 20 hit title song. But the rest of Mind Games could be a strangely ruminative and often mid-tempo, with a shaggy studio approach. Mind Games: The Ultimate Collection makes it clear who fans should blame: The producer. After three straight projects with co-producers Phil Spector and Yoko Ono, Lennon took over those duties. He clearly couldn't place enough distance between himself and the material to make the best choices for these songs. An outside voice might have encouraged him to continue work on some tracks, or to toss one or two aside.