What the world needs more of is intelligently planned, stupendously played, and brilliantly recorded collections like this one. These two discs contain all the piano works of Michael Tippett, works that come from every period of the composer's very long life except his very last. It includes the youthful, tuneful Piano Sonata No. 1 written between 1936 and 1938 and revised in 1941, the massive Fantasia on a Theme of Handel from 1941, the exuberant Piano Concerto from 1955, the experimental Piano Sonata No. 2, the gnomic almost Beethovenian Piano Sonata No. 3 from 1973, and the gnarly post-Beethovenian Piano Sonata No. 4. It features a bravura performance by pianist Steven Osborne that makes the best case for all the music, no matter how outré or recherché its harmonic proclivities or rhythmic audacities.
The greatest classics in this area are collected on a magnificent 3 CD digipack. A timeless view with Bob Dylan, Leonard Cohen, Paul Simon, Billy Joel, Carly Simon, Chris Rea and many others. 60 tracks.
John Harle's epic CV includes soundtracks, classical works and drama, all of which feed into the saxophonist's ambitious song cycle about "dark London". Its tales of the Limehouse Ripper, Spring Heeled Jack and the Highgate Vampire are centred a few centuries back, with words from William Blake and John Dee, though most of the lyrics are by Marc Almond, along with Tom Pickard and Iain Sinclair. There are splashes of cabaret and jazz, but the echoing, crepuscular atmosphere is dominated by Almond's impressive neo-operatic singing (some distance from electro-pop!), with a thumping, galloping finale that uses an extract from Blake's "prophetic book" Jerusalem. Dark but dashing.
The LateNightTales series is an easy gateway for those interested in finding where an artist's influences lie - with volumes that are curated by Jamiroquai, MGMT, Belle & Sebastian, and Lindstrøm, among many others - and Röyksopp's contribution showcases the Norwegian duo's love of analog synthesizer tones. The album's 19 tracks weave an icy, cinematic narrative as Torbjørn Brundtland and Svein Berge pick choice cuts from their record collections. Most of these songs are from the '70s and '80s, and are innocent and somber songs of the new wave, yacht rock, AM pop, and ambient variety. No surprise that they would select Vangelis' synth theme "Blade Runner Blues" from the Blade Runner soundtrack, or the chilling classical-themed vocoder piece "Odi et Amo" by Jóhann Jóhannsson…
The 1970 s brought us the most diverse decade of music with Disco, Funk, Soul,Rock, Pop, Electronic and experimental music If the 60 s was the decade that gave birth to modern pop music then it was the 70 s that had it all- from bubblegum to disco to hard rock…
Stainer's Crucifixion unfolds with a seamless ease, never jolting the listener with gratuitous theatricality or the type of rhetorical intensity which the English find mildly embarrassing. The emotional engagement here is about an unintrusive sobriety, affected by a glowing sentimental identification with the Saviour's plight.
The Video Vault, as the title suggests, is a boxed set of six DVDs covering a number of performances and concerts that had been gathering dust in the Wakeman vaults. As a gift for the ultimate Wakeman fan, this boxed set of DVDs would be an ideal gift. As a collector the box also gathers together a number of key concerts and performances from Rick’s long and varied career…
Elles Bailey may well have picked up two awards from the prestigious UK Americana 2023 Awards (the highly coveted Artist of the Year Award and the very first Live Act of the Year Award and have been shortlisted for 3 awards at the forthcoming UK Blues Awards 2023 but she’s not standing still, basking in acclaim: this ever-creative, hardworking, genre-topping artist is moving forwards and releasing fresh material.
Vivacious, young soprano Marie McLaughlin is magnificent as the ill-fated courtesan Violetta in this passionate production of Giuseppe Verdi's timeless classic, directed by the internationally renowned Sir Peter Hall and conducted by one of music's all-time greats, Bernard Haitink. Walter MacNeil brings to striking life the role of Violetta's lover, Alfredo, and Brent Ellis shines as Alfredo's father, Germont. Set in 19th century Paris, this moving story of doomed love and its dramatic deathbed reconciliation remains one of Verdi's most popular operas.