John Martyn

Another great concert from the successful WDR Rockpalast series, recorded live on March 17, 1978 at Audiomax, Hamburg (Germany) - plus bonus track "Look At That Girl" from "Die Aktuelle Stunde" (WDR) from October 12, 1989!- John Martyn's impassioned vocals and dazzling guitar make this an extraordinary concert performance

Sapphire is a rock album by John Martyn, who by this stage in his career had almost entirely abandoned the acoustic guitar and folk approach in favour of a glossy pop/rock sound. Recorded at Compass Point Studios, Nassau, Bahamas and CaVa Sound Workshops, Glasgow, Scotland, the album was originally released on LP by Island, catalogue number ILPS 9779, with cover photography by Anton Corbijn and a cover illustration by Cathie Felstead. Robert Palmer assisted in the later stages of the recording.

Piece by Piece was the second album recorded by Martyn after his return to Island Records after a seven year absence. During this time, his releases on other labels had seen most of any rough edges smoothed off and his guitar playing become almost non-existent. The lighter jazz/pop style which had begun on Grace and Danger had taken over. Keyboardist Foster Paterson was a prominent contributor to the songs on Piece By Piece, which are a mix of the instantly memorable and the soon forgettable.

Another great concert from the successful WDR Rockpalast series, recorded live on March 17, 1978 at Audiomax, Hamburg (Germany) - plus bonus track "Look At That Girl" from "Die Aktuelle Stunde" (WDR) from October 12, 1989!- John Martyn's impassioned vocals and dazzling guitar make this an extraordinary concert performance

Because Island Records didn't feel it was the right time for a live album, Martyn independently released this record from his home. The initial release was a limited edition of 10,000 (which Island did manufacture, though not distribute or promote) that was numbered and signed. Though the album shares its title with the famous Who live collection of the same name, the working title was "Ringside Seat" and photos of Martyn and bassist Danny Thompson in a boxing ring were even taken for a prospective cover, though never used. Recorded February 13, 1975 (the sleeve incorrectly states October), at Leeds University in the U.K., this is John Martyn at a peak in his career.

The Apprentice was mostly completed a full two years before it was released. Martyn's record label, Island, rejected the tapes of the songs in 1988, even though artistically they were not too far removed from his previous release, Piece by Piece. In fact, this album turned out to be the more cohesive of the two. Eventually released by Permanent Records, it's by and large a well-crafted collection of songs. Its only weaknesses are the sometimes too-strong dependence on synthesizers and the song "Deny This Love," which is Martyn doing bad dance music (and featuring a truly horrible a cappella introduction). Otherwise, it's an enjoyable album.

Piece by Piece was the second album recorded by Martyn after his return to Island Records after a seven year absence. During this time, his releases on other labels had seen most of any rough edges smoothed off and his guitar playing become almost non-existent. The lighter jazz/pop style which had begun on Grace and Danger had taken over. Keyboardist Foster Paterson was a prominent contributor to the songs on Piece By Piece, which are a mix of the instantly memorable and the soon forgettable.

Sapphire is a rock album by John Martyn, who by this stage in his career had almost entirely abandoned the acoustic guitar and folk approach in favour of a glossy pop/rock sound. Recorded at Compass Point Studios, Nassau, Bahamas and CaVa Sound Workshops, Glasgow, Scotland, the album was originally released on LP by Island, catalogue number ILPS 9779, with cover photography by Anton Corbijn and a cover illustration by Cathie Felstead. Robert Palmer assisted in the later stages of the recording.

After releasing the much-delayed The Apprentice, Martyn was once again on a roll, and, while not quite as strong as The Apprentice, Cooltide was a solid outing. His jazziest release yet, it's marred slightly by a gravelly hoarseness in his voice, which makes him sound like he's just recovered from laryngitis. "Jack the Lad" was the single released, and, along with "Annie Says" and the aching "Call Me," they show him entering the 1990s in fine form. The title song had a long gestation, originally recorded for 1979's Grace and Danger under the title "Running up the Harbour." While a bit long, it's a great hypnotic, groove-oriented track that's smooth and cool, with Martyn venturing a little further afield than he had in quite a while.