John Mayall's Bluesbreakers Bare Wires

Keef Hartley Band - Seventy Second Brave
EAC+LOG+CUE | FLAC: 229 MB | Artwork | 5% Recovery Info
Label/Cat#: Esoteric Recordings # ECLEC2100 | Country/Year: Europe 2009, 1972
Genre: Rock | Style: Blues Rock, Jazz Rock, Classic Rock

…Keith Hartley was born in Preston, Lancashire. His career began as the replacement for Ringo Starr as a drummer for Rory Storm and the Hurricanes, a Liverpool-based band. Subsequently he played and recorded with The Artwoods, then achieved some notability as John Mayall's drummer. He then formed The Keef Hartley (Big) Band, mixing elements of jazz, blues, and rock and roll; the group played at Woodstock in 1969. They released five albums, including Halfbreed and The Battle of North West Six (characterised by a reviewer for the Vancouver Sun as "an amazing display of virtuosity"). After that Hartley released a 'solo' album (Lancashire Hustler, 1973) and then he formed Dog Soldier with Miller Anderson (guitar), Paul Bliss (bass), Derek Griffiths (guitar) and Mel Simpson (keyboards)…

John Mayall's debut album, recorded live in December 1964, is a little unjustly overlooked, as it was recorded shortly before the first of the famous guitarists schooled in the Bluesbreakers (Eric Clapton) joined the band. With Roger Dean on guitar (and the rhythm section who'd play on the Bluesbreakers with Eric Clapton album, bassist John McVie and drummer Hughie Flint), it has more of a rock/R&B feel, rather like the early Rolling Stones, than the purer bluesier material Mayall would usually stick to in his subsequent recordings. The record doesn't suffer for this, however, moving along quite powerfully, and - unusually for a British R&B/blues band of the time - featuring almost nothing but original material, all penned by Mayall. Nigel Stanger's saxophone adds interesting touches to a few tracks, the songs are quite good…

As It All Began: The Best of John Mayall & the Bluesbreakers 1964-1968 is an excellent 20-track retrospective, capturing Mayall's band at their peak. The Bluesbreakers went through several different lineups during those four years, with musicians the caliber of Eric Clapton, Mick Taylor, Paul Butterfield, Mick Fleetwood, John McVie, and Peter Green floating through the group. Hardcore fans of any of those musicians, or of British blues, will naturally want to familiarize themselves with the original albums, but As It All Began is a fine sampler for the casual fan, featuring such staples as "Lonely Years," "Bernard Jenkins," "All Your Love," "Parchman Farm," "Double Trouble," "The Death of J.B. Lenoir," and "Miss James." Even at 20 tracks, there are a number of fine moments missing from this collection, but As It All Began remains the best available single-disc overview of the Bluesbreakers' prime period.

Bluesbreakers with Eric Clapton was Eric Clapton's first fully realized album as a blues guitarist – more than that, it was a seminal blues album of the 1960s, perhaps the best British blues album ever cut, and the best LP ever recorded by John Mayall's Bluesbreakers. Standing midway between Clapton's stint with the Yardbirds and the formation of Cream, this album featured the new guitar hero on a series of stripped-down blues standards, Mayall pieces, and one Mayall/Clapton composition, all of which had him stretching out in the idiom for the first time in the studio…

The final album of an (unintentional) trilogy, Crusade is most notable for the appearance of a very young, pre-Rolling Stones Mick Taylor on lead guitar. Taylor's performance is indeed the highlight, just as Eric Clapton and Peter Green's playing was on the previous album. The centerpiece of the album is a beautiful instrumental by Taylor titled "Snowy Wood," which, while wholly original, seems to combine both Green and Clapton's influence with great style and sensibility. The rest of the record, while very enjoyable, is standard blues-rock fare of the day, but somewhat behind the then-progressive flavor of 1967. Mayall, while being one of the great bandleaders of London, simply wasn't really the frontman that the group needed so desperately, especially then. Nevertheless, Crusade is important listening for Mick Taylor aficionados.

John Mayall, OBE (born 29 November 1933) is an English blues singer, guitarist, organist and songwriter, whose musical career spans over sixty years. In the 1960s, he was the founder of John Mayall & the Bluesbreakers, a band which has counted among its members some of the most famous blues and blues rock musicians…

Somehow the grandfather of British blues still had the fire in his belly to record a strong album almost 40 years after he began his storied career. Buddy Whittington acquits himself well as the latest in a long line of hotshot guitarists for this multi-instrumentalist, who still does his best work on harmonica. He still admires long-dead bluesman J.B. Lenoir, including "Voodoo Music" here. A lot of credit for this strong outing goes to R.S. Field, lyricist and sometime producer for Webb Wilder. "Long Story Short" would pass for a Wilder tune were it not for Mayall's distinctive voice.

Before they were Fleetwood Mac, they were John Mayall's Bluesbreakers. Never before heard live performances from 1967. In 1967, before there was a Fleetwood Mac, Peter Green, John McVie and Mick Fleetwood were John Mayall's Bluesbreakers. The four musicians were only together for three months, which makes it even more remarkable that a staunch fan from Holland was able to sneak a one channel reel to reel tape recorder into five London clubs and capture this exciting glimpse into music history. For almost fifty years these tapes have remained unheard until John recently got them and began restoring them with the technical assistance of Eric Corne of Forty Below Records. Corne adds "While the source recording was very rough and the final result is certainly not hi-fidelity, it does succeed in allowing us to hear how spectacular these performances are." Volume 2 showcases three John Mayall originals including the opening track, all-time blues classic "Tears In My Eyes"; "Chicago Line", complete with John McVie bass solo; and "Please Don't Tell", a great example of the power blues The Bluesbreakers were revered for. Thanks to dedicated fan Tom Huissen who took his one channel reel-to-reel tape recorder into various London clubs in 1967, these historical performances were captured for all time.