Many great musicians experience peaks and valleys throughout their careers. Legendary guitarist John McLaughlin, however, always seems to be perched firmly at the top of his game. Whether with former Mahavishnu bandmates, trios with Paco DeLucia and Al Dimeola, or with contemporary jazz/fusion monsters like Kai Eckhardt and Trilok Gurtu , McLaughlin continues to remain the master of all he surveys. With THE HEART OF THINGS, the guitarist once again unleashes his dynamic sense of color and texture, as well as those unbelievable chops.
Sounding at times like a slightly controlled hurricane, the band McLaughlin has assembled for this project is astounding. All-too-unrecognized saxophonist Gary Thomas, keyboard guru Jim Beard, drum god Dennis Chambers and meticulous bassist Matthew Garrison burst though the music and grab the listener on most every track. A prime example is the standout "Mr. D. C." (presumably for Chambers) as a torrent of drums and percussion do battle with McLaughlin's flying guitar. Later, a nice deep breath is taken with the mysterious "Fallen Angels" and, finally, the live acoustic solo of "When Love Is Far Away" makes for a transcendental ending to a powerful journey.
Widely recognized as one of the most innovative and influential guitar players since the 1960s, John McLaughlin has forged a musical path that has seen him flirt with everything from hard rock to world music. A fusion player in the true sense of the word, McLaughlin continued his progressive stylistic synthesis on 2006's INDUSTRIAL ZEN. While the guitarist is also known for his meditative work (especially his experiments with Indian music), INDUSTRIAL ZEN is something of a return to the jazz fusion that marked McLaughlin's work with Miles Davis and his own group the Mahavishnu Orchestra. Drummer Dennis Chambers, saxophonist Bill Evans, and guitar virtuoso Eric Johnson, among others, are on hand to lend sparks to the icon's six-string wizardry.
Since the 1970's John McLaughlin's long career has always taken mysical turns, from the Mahavishnu Orchestra to Shakti. Here on "Industrial Zen", McLaughlin turns his well honed skills to Jazz fusion. He is joined by many names that brought power-house jazz fusion to the frontline during the '90's, including Bill Evans, Gary Husband, Mark Mondesir, Vinnie Colauta and Dennis Chambers as well as Texas guitar legend Eric Johnson.
Mahavishnu is an album by the Mahavishnu Orchestra, released in 1984 by Warner Bros. Records. During the 1980s, John McLaughlin reformed the Mahavishnu Orchestra for release of the two albums Mahavishnu and Adventures in Radioland. This band's overall sound was radically different from the original Mahavishnu Orchestra, in particular because of McLaughlin's extensive use of the Synclavier synthesiser system.
Many great musicians experience peaks and valleys throughout their careers. Legendary guitarist John McLaughlin, however, always seems to be perched firmly at the top of his game. Whether with former Mahavishnu bandmates, trios with Paco DeLucia and Al Dimeola, or with contemporary jazz/fusion monsters like Kai Eckhardt and Trilok Gurtu , McLaughlin continues to remain the master of all he surveys. With THE HEART OF THINGS, the guitarist once again unleashes his dynamic sense of color and texture, as well as those unbelievable chops.
Mahavishnu is an album by the Mahavishnu Orchestra, released in 1984 by Warner Bros. Records. During the 1980s, John McLaughlin reformed the Mahavishnu Orchestra for release of the two albums Mahavishnu and Adventures in Radioland. This band's overall sound was radically different from the original Mahavishnu Orchestra, in particular because of McLaughlin's extensive use of the Synclavier synthesiser system.
Recorded in 1981, this is a diverse and somewhat obscure John McLaughlin outing recorded in France, mostly with French musicians. Classical pianist Katia Labeque makes appearances on acoustic piano and synthesizer; there is a thoughtful version of "Very Early" recorded in tribute to Bill Evans, and a collaboration with flamenco guitarist Paco de Lucia, "Manitas d'Oro." In general, McLaughlin is in fine shape on this worthwhile set, both on acoustic and electric guitars, occasionally showing some fire.
Carlos Santana and John McLaughlin are two of jazz-rock's finest guitarists, virtuosos who temper their fire with deep spirituality. This album is a summit meeting between the two string wizards and their respective bands; Santana's percussionists mix it up with Jan Hammer and Billy Cobham of the Mahavishnu Orchestra. The guitarists created this album as a tribute to their then-guru, spiritual leader Sri Chinmoy. The passion and purity of their belief in Chinmoy's teachings is matched by the technical facility that could only have come from the discipline their faith provided them.,.
Loose and spontaneous, this (mainly) live album is a meeting of three of the greatest guitarists in the world for an acoustic summit the likes of which the guitar-playing community rarely sees. Broken up into three duo and two trio performances, Friday Night in San Francisco catches all three players at the peaks of their quite formidable powers.