John Phillip

There weren't many blues albums issued during the early '70s that hit harder than this one. First out on the short-lived Playboy logo, the set firmly established Walker as a blistering axeman sporting enduring Gulf Coast roots despite his adopted L.A. homebase. Of all the times he's cut the rocking "Hello My Darling," this is indeed the hottest, while his funky, horn-driven revival of Lester Williams's "I Can't Lose (With the Stuff I Lose)" and his own R&B-drenched "It's All in Your Mind" are irresistible. After-hours renditions of Sam Cooke's "Laughing & Clowning" and Long John Hunter's "Crazy Girl" are striking vehicles for Walker's twisting, turning guitar riffs and impassioned vocal delivery.

With Kent's Songwriter Series well established as a regular feature of the Ace catalogue, they felt it was time to salute more great tunesmiths whose success as writers has been largely confined to the soul/R&B market. Few are more deserving than Phillip Mitchell a cult hero to many soul fans as a writer and a singer, and a man whose catalogue of songs is as consistently good as it is prolific. His songs have been recorded by some of the biggest names in soul particularly during the 1970s, when his name appeared under the title of many high-profile 45s. A quick perusal of the artists featured here will demonstrate how highly Phillip's songs were rated by his peers. It was not easy to whittle the mountain of great versions of Mitchell songs down to a representative 23 and there s plenty of scope for a follow up if this one sells as well as Kent expect. In-depth annotation, copious illustrations and a value-for-money, near 80 minutes worth of music will make this a must for every serious soul enthusiast.

Phillip Boa And The Voodooclub - God [Limited Edition]
EAC+LOG+CUE | FLAC: 393 MB | Full Artwork: 84 MB | 5% Recovery Info
Label/Cat#: Motor Music # 521 801-2 | Country/Year: Germany 1994
Genre: Rock | Style: Pop Rock, Psychedelic Rock, Indie Rock

…Boa's music is influenced by British punk rock and New Wave, its style swings between pop and avantgarde. A continuous charasteric are the catchy and melodic choruses, interrupted or alienated by atmospheric shifts. Thereby the voice of band member Pia Lund and Boa's own throaty singing contrast diametrically. After his most successful album so far, Boaphenia (1993), Boa made a deliberate musical cut to focus on a Metal project when founded the heavy metal band Voodoocult, consisting of members Dave Lombardo (drums), Chuck Schuldiner (guitar), Waldemar Sorychta (guitar), Mille Petrozza (guitar) and himself as vocalist…

Phillip Johnston - Phillip Johnston's Big Trouble (1993) {Black Saint 120152-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 353 Mb | MP3 @320 -> 152 Mb
Full Artwork @ 300 dpi (jpg) -> 32 Mb | 5% repair rar
© 1993 Black Saint | 120152-2
Jazz / Progressive Jazz / Avant-Garde Jazz / Modern Creative / Post Bop / Saxophone

Really, why should this music be called avant-garde? Should a band as gloriously fun as Phillip Johnston's Big Trouble really be given a stylistic label equated by many with either difficult art music or deadly serious free jazz? Yes, in the '90s jazz world, the enormously engaging saxophonist/composer and his band of accomplished musical pranksters definitely fell on the avant side of things, but that was more a reflection of the sorry state of the mainstream, in comparison to which, of course, any era's avant-garde is defined. In a rational world, Johnston's first post-Microscopic Septet project would be seen as appealing to a very broad audience segment – say, those with ears on the sides of their heads.