John Rooney

The hugely popular live American television plays of the 1950s have become the stuff of legend. Combining elements of theater, radio, and filmmaking, they were produced at a moment when TV technology was growing more mobile and art was being made accessible to a newly suburban postwar demographic. These astonishingly choreographed, brilliantly acted, and socially progressive “teleplays” constituted an artistic high for the medium, bringing Broadway-quality drama to all of America. The award-winning programs included in this box set – originally curated for PBS in the early 1980s as the series The Golden Age of Television, featuring recollections from key cast and crew members – were conceived by such up-and-comers as Rod Serling and John Frankenheimer and star the likes of Paul Newman, Mickey Rooney, Rod Steiger, Julie Harris, and Piper Laurie.

Woodstock Mountains (More Music from Mud Acres) features Pat Alger, Happy and Artie Traum, Eric Andersen, Lee Berg, Rory Block, Paul Butterfield, John Herald, Bill Keith, Jim Rooney, Roly Salley, John Sebastian, and Paul Siebel. This album brought it all together! Their peak.

After borrowing $20 from his employer's cash register, an auto mechanic is plunged into a series of increasingly disastrous circumstances which rapidly spiral out of his control.

Three trios. Three triptychs. A concept album. “Three Times Three” is the new project by drummer Antonio Sanchez, who summoned a group of brilliant musicians for this recording. Three extremely different musical ideas, developed and entrusted to six sensitive, outstanding companions. The first CD, featuring Brad Mehldau on piano and Matt Brewer on acoustic bass, consists of two original tunes by Sanchez plus a revived standard, that is, Miles Davis' “Nardis”, renamed “Nar-this” here. Mehldau, obviously much in evidence, stands out against Sanchez and Brewer’s flowing rhythms while sailing through Miles Davis' tune as well as “Constellations” and “Big Dream”, both by Sanchez.

Inventor Thomas Edison's boyhood is chronicled and shows him as a lad whose early inventions and scientific experiments usually end up causing disastrous results. As a result, the towns folk all think Tom is crazy, and creating a strained relationship between Tom and his father. Toms only solace is his understanding mother who believes he's headed to do great things.

Mariah Carey (born March 27, 1970) is an American R&B singer, songwriter, record producer, and actress. She made her recording debut in 1990 under the guidance of Columbia Records executive Tommy Mottola, and became the first recording artist to have her first five singles top the U.S. Billboard Hot 100 chart. Following her marriage to Mottola in 1993, a series of hit records established her position as Columbia's highest-selling act. According to Billboard magazine, she was the most successful artist of the 1990s in the United States. Following her separation from Mottola in 1997, Carey introduced elements of hip hop into her album work, to much initial success, but her popularity was in decline when she left Columbia in 2001. She signed to Virgin Records but was paid to leave the label the following year after a highly publicized physical and emotional breakdown, as well as the poor reception given to Glitter, her film and soundtrack project. In 2002, Carey signed with Island Records, and after a relatively unsuccessful period, she returned to the top of pop music in 2005. Carey was named the best-selling female pop artist of the millennium at the 2000 World Music Awards.[6] She has the most number-one singles for a solo artist in the United States (eighteen; second artist overall behind The Beatles), where, according to the Recording Industry Association of America, she is one of the best-selling female artists and sixteenth overall recording artist. In addition to her commercial accomplishments, Carey has earned five Grammy Awards, and is well-known for her vocal range, power, melismatic style, and use of the whistle register. She is ranked as the best-selling female artist of the U.S. Nielsen SoundScan era (third-best-selling artist overall), with shipments of over 62.5 million albums in the U.S. and has sold more than 200 million albums worldwide.

Stanley Kramer followed his Oscar-winning Judgment at Nuremberg with this sobering investigation of American greed. Ah, who are we kidding? It’s a Mad, Mad, Mad, Mad World, about a group of strangers fighting tooth and nail over buried treasure, is the most grandly harebrained movie ever made, a pileup of slapstick and borscht-belt-y one-liners performed by a nonpareil cast, including Milton Berle, Sid Caesar, Ethel Merman, Mickey Rooney, Spencer Tracy, Jonathan Winters, and a boatload of other playing-to-the-rafters comedy legends. For sheer scale of silliness, Kramer’s wildly uncharacteristic film is unlike any other, an exhilarating epic of tomfoolery.

Tim Robbins stars as Erik the Viking, a thoughtful man in a violent time who does not enjoy killing and raping like the rest of his people. When he accidentally kills a woman while defending her, he reevaluates his life and goes off in search of the Horn Resounding, which has the power to bring him to his true home–and end the Age of Ragnarok, bringing peace to the kingdom. To get there he has to lead a pathetic group of seasick sailors through the Gates of the World and into sunlight, on their way to Valhalla…