John Scofield_a Go Go

Miles Davis's final Columbia recording (other than Aura which was released several years later) includes his straightforward ballad interpretations of Cyndy Lauper's "Time After Time" and the Michael Jackson-associated "Human Nature," two songs he would play in most of his concerts for the remainder of his life. Other tunes (including "You're Under Arrest," "One Phone Call" and "Ms. Morrisine") were quickly discarded. In addition to Davis (who had regained his earlier chops) tenor-saxophonist Bob Berg, guitarist John Scofield and guest John McLaughlin get in a few decent solos on this competent but not overly memorable effort.

Miles Davis's final Columbia recording (other than Aura which was released several years later) includes his straightforward ballad interpretations of Cyndy Lauper's "Time After Time" and the Michael Jackson-associated "Human Nature," two songs he would play in most of his concerts for the remainder of his life. Other tunes (including "You're Under Arrest," "One Phone Call" and "Ms. Morrisine") were quickly discarded. In addition to Davis (who had regained his earlier chops) tenor-saxophonist Bob Berg, guitarist John Scofield and guest John McLaughlin get in a few decent solos on this competent but not overly memorable effort.

It is believed that the rush hour lounge music falls on the 50-60s. Then it executes unknown bands, but the rooms were great friends. While implementing lounge music could be called any musician who played in a cafe or restaurant to the public. In the 60s there were ensembles, records which are related to Lounge. Among them - the bands of James Last, Bert Kempferta, Paul Mauriat, Herb Alpert. Distinguished as a lounge music and musical design films, because this style of music can rightly be called the background.

Keller Williams has built his reputation as a one-man band, but also as an equally prolific and eclectic recording artist. So, it's no surprise that he would want to stand his self-defined image on its ear with this long-in-the making collection of collaborations with other performers…

The first of 100 tunes in this collection is a 1937 recording of tenor saxophonist Coleman Hawkins and guitarist Django Reinhardt playing Out Of Nowhere. It was recorded two years before Blue Note Records was founded. The taping was done for EMI’s Capitol label’s French division. This is an ominous hint as to the content of the 10-disc “100 Best of Blue Note” box set, which at first glance appears to have all the trimmings of a slick 21st century collection.

Various Artists - 100 Best Of Blue Note (2011) [10CD BoxSet] {Blue Note}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 3.45 Gb | MP3 @320 -> 1.40 Gb
Artwork @ 300 dpi (jpg) -> 44 Mb | 5% repair rar
© 2011 Blue Note / Capitol / EMI | 9053032
Jazz / Bop / Hard Bop / Post Bop / Soul Jazz

Luxury Blue Note collection on 10 CDs as selected by 2Sounds, spanning the history of the great Blue Note label. Packaging: Clamshell box, 10 CD, 12p booklet. I new this would be good,but I am so glad I stepped up and purchased this collection. My wife and I play through the list of CD's daily. Yes,the standards are there,but it's the players we are unfamiliar with that make this a great buy!

Schools are such special places. Through providing the setting for encounters with great teachers, through developing a sense of the cohort, these venerable institutions can, when things go right, awaken a drive and an appetite for what comes next. The Leipzig University of Music and Drama is a case in point. It was where Max Stadtfeld studied, under teachers including Heinrich Köbberling and Michael Wollny. At the beginning of 2019, Wollny chose the 25-year-old drummer for his BAU.HAUS.KLANG quintet with Emile Parisien, Leafcutter John and Wolfgang Heisig. This experience wasn't just the continuation of the teacher-student relationship, because Leipzig offers other opportunities too: several clubs and other venues where someone like Max Stadtfeld could go and really free up his playing and become part of a community.